Author |
Topic: Chuck Campbell's 10 String Sacred Steel Copedent? |
Jason Goldkamp
From: Missouri, USA
|
Posted 27 Mar 2011 8:40 am
|
|
I've been looking everywhere online and have not had much luck so I thought I would try here. Does anyone here know Chuck Campbell's 10 String Sacred Steel Copedent? It would be greatly appreciated. |
|
|
|
b0b
From: Cloverdale, CA, USA
|
Posted 27 Mar 2011 11:01 am
|
|
 |
|
|
|
Paul Crawford
From: Orlando, Fl
|
Posted 29 Mar 2011 10:21 pm
|
|
Warning, Will Robertson! Warning!
I had an opportunity a few years back to spend the afternoon with Chuck and his guitar. His "theory" was to take the basic "E" chord he uses when framming and then have each of his pedals voice a new extension of the chord. The way he explained it to me is he had his minors, his 6th, his 7ths, etc. and could combine them at will for a Em6, an E13, etc. It went over my head and my eyes rolled back in the sockets when I tried to play it, but there is no doubt he makes tremendous music with it. His recommendation to new pedal players is either go with the Nashville E9th, (ala Henry Nelson) or an extended E / E7th used on many of their lap steels. He told me he could only dream of having the access to all of the various teaching material available today.
You might want to drop him an email at his website. He seems to always find time to help others. Chuck is a gentleman with a big heart as well as a stellar player. |
|
|
|
Rick Winfield
From: Pickin' beneath the Palmettos
|
Posted 30 Mar 2011 4:04 am theory
|
|
That's an interesting "theory" he has on the overall outlook of a tuning.
My approach was to always 1st look for the I,IV,V,ii,iii,vi,& move on from there, but I'm going to try to "see it his way" for a while, as it seems to have much to offer.
Rick |
|
|
|