What It Takes To Be Great
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- Barry Blackwood
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Barry,
I can't speak for Chet. He must have seen something special in the Beatles. Writing, singing, musicianship and I believe Chet was right along with all those that bought Beatles Music. JMHO
I believe Pete Drake played on a tune or two???
I can't speak for Chet. He must have seen something special in the Beatles. Writing, singing, musicianship and I believe Chet was right along with all those that bought Beatles Music. JMHO
I believe Pete Drake played on a tune or two???
Last edited by Theresa Galbraith on 18 Mar 2011 9:45 am, edited 1 time in total.
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I'm a huge fan of both the Beatles and Charlie Parker.Roger Rettig wrote:Sorry - I don't see them [the Beatles] in the same light as musicians of the calibre of Charlie Parker.
Apples and oranges.
The title of this thread is "What it takes to be great."
At the risk of stating an obvious truism, what is "great", or "genius", or "deep", or their opposites, in art is always and inherently a subjective judgment, peculiar to the individual human perceiver, and this fact is not changed by how many other humans have a reaction that coincides.
Charlie Parker stands out from a good number of bebop saxophone soloists who arguably had/have equal technical command of the instrument and mental command of the harmonic and melodic concepts used in bebop improvisation and composition. In my opinion this would still be true if his recordings and those of others were presented to a sophisticated, receptive listener who had no knowledge of where each individual stood in the historical development of bebop--that is, the knowledge that he was an originator, that much of what the listener hears the others doing was done first by Bird would not enter the equation. I think that listener would still say, "This guy really has it; there's something extra to his music. He's greater. The others are all good but..."
And that's the x factor that defines "great" music for me, and the Parker example illustrates for me how ultimately it isn't a question of elaboration of technique, physical or mental, that makes great art. In the case of Charlie Parker, it helped him a lot. There are other musicians (I won't name any), who in my opinion are even hindered from making great music by their huge development of the "tools" of the art.
A Chinese painting with a handful of brush strokes on otherwise blank paper can be a great painting. So can a painting by Leonardo da Vinci.
Lots of people write lots of simple three-chord songs. A few of them are great songs.
In my view, "I'm So Lonesome I Could Cry" is a great song. If someone says it's obviously vastly inferior to a Charlie Parker solo, as far as I'm concerned they're missing the point.
But, as I said, it is all subjective.
- Roger Rettig
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Theresa:
I merely asked a question - I didn't make a statement. Read more carefully; I asked if he saw genius or was making a commercial choice! Anyway, do you honestly think that Chet only considered covering material composed by geniuses? Given that he made as many albums as he did I'd find that hard to accept!
Brint: You make an excellent point. This is all clearly very subjective, but I do agree that 'I'm So Lonesome...' is a great song...
This thread was bound to wander a bit - each individual's perception of what is 'great' is going to vary enormously.
I merely asked a question - I didn't make a statement. Read more carefully; I asked if he saw genius or was making a commercial choice! Anyway, do you honestly think that Chet only considered covering material composed by geniuses? Given that he made as many albums as he did I'd find that hard to accept!
Brint: You make an excellent point. This is all clearly very subjective, but I do agree that 'I'm So Lonesome...' is a great song...
This thread was bound to wander a bit - each individual's perception of what is 'great' is going to vary enormously.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Barry Blackwood
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- Barry Blackwood
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- John Wilson
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my 2 cents.......
I believe the one common trait that all of the greats possessed was their firm grasp of flippant humor.
Which reminds me of an old Chinese saying:
It takes many nails to build a baby crib....
And only one screw to fill it.
Peace
Which reminds me of an old Chinese saying:
It takes many nails to build a baby crib....
And only one screw to fill it.
Peace
Customer: "Waiter, how do you prepare your chicken?"
Waiter: "We usually tell them they're not going to make it."
Waiter: "We usually tell them they're not going to make it."
- Bud Harger
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Here it is...
..."it" boils down to 10% dexterity and 90% desire.
bUd
bUd