What is the best volume pedal? I'm shopping.
Moderator: Shoshanah Marohn
What is the best volume pedal? I'm shopping.
I need input (Pros & cons all welcome) about which pedal to buy. I know in recent years the technology has come along way. Thanks for your input in advamce!
Setup; MSA S12, POD XT, Hilton, Peavey Session 500, Mackie SM450's
- Steve Hitsman
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You know what they say about opinions...
I'm going to jump in early and hope to make it simple. I would consider only three: Goodrich pot pedal, Hilton and Telonics. They're all fine. Price is a huge consideration. Finding reliable pots for the Goodrich can be a problem but it is the most affordable. Telonics is the most technologically advanced and most expensive. I use a Hilton and am totally satisfied.
I'm going to jump in early and hope to make it simple. I would consider only three: Goodrich pot pedal, Hilton and Telonics. They're all fine. Price is a huge consideration. Finding reliable pots for the Goodrich can be a problem but it is the most affordable. Telonics is the most technologically advanced and most expensive. I use a Hilton and am totally satisfied.
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- john widgren
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Telonics VP
For me, it's Telonics. I sell em, but I'd use and recommend them even if I didn't. Not cheap, but absolutely worth every dime.
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Live performance and recording. Instruments, repairs and lessons. Fresh bait/discount sushi.
(203) 858-8498
widcj@hotmail.com
It sounds like the general consensus is Telonics for performance...which is what I'm interested in. Is it the FP-100? Since I'm sure those of you that have it, you already shopped and were satisfied you got the best deal. Please PM me and let me know where you got yours & what your cost was, if you would. Thanks.
Setup; MSA S12, POD XT, Hilton, Peavey Session 500, Mackie SM450's
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not to muddy the waters, but...
I only know the Hilton and Goodrich
The Hilton seems (a little) clearer and brighter, which makes me think it has a flatter response or doesn't tame the highs quite as much ... but when I go back to the Goodrich after using the Hilton for a while, the Goodrich sounds pleasantly coloured/restrained ... so maybe you have to ask yourself, "do I want totally flat response, (ie. the real sound of my particular steel), or do I want a 'classic steel sound?'" The Goodrich's sonic limitations may be part of its charm...
I only know the Hilton and Goodrich
The Hilton seems (a little) clearer and brighter, which makes me think it has a flatter response or doesn't tame the highs quite as much ... but when I go back to the Goodrich after using the Hilton for a while, the Goodrich sounds pleasantly coloured/restrained ... so maybe you have to ask yourself, "do I want totally flat response, (ie. the real sound of my particular steel), or do I want a 'classic steel sound?'" The Goodrich's sonic limitations may be part of its charm...
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- Paddy Long
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- Cliff Kane
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This has all been said many times before. As great as the Telonic and the Hilton pedals are, the venerable Goodrich 120 is the best as well. There is less circuitry inside of the pedal that could fail, it does not need electricity to work, with the right pot it sounds great, it lasts for ever, and it's relatively inexpensive. People complain about having to change pots, but I put the Dunlop pots in my two 120's over two years ago and both still sound great. If a 120 ever does need to be repaired or have the pot or string changed you can easily do it yourself in a matter of minutes. All of the steel guitar masters and their recordings used pot pedals for decades. Analog pot pedals sound different from active electronic and digital pedals, and a lot of people prefer the sound of the pot and the high end roll off that happens as the pot is rolled off, or, conversely, the high end boost that happens when the pot is opened up. I used a Goodrich Matchbox and a Goodrich 120 pedal for a long time and liked it, but I found the Matchbox to be a little hard sounding. Now I use a Sarno FreeLoader with a Goodrich 120 with the Dunlop pot and I am very happy with the tone with my Emmons single coils going into my Fender amp or my Peavey amp.
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I have been watching this forum for quite a few years now and have noticed how things come and go. It wasn't that long ago that all you heard about was the Hilton. Now its the Telonics. Both quite spendy! I would wager that in time that too will be replaced with something else and through all of them the Goodrich or even the Sho-Bud will still be in the top three. Just my two cents. Happy shopping!!!
- Lee Baucum
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I agree with Cliff. A Goodrich 120, with one of Tom Bradshaw's Dunlop pots, into a Sarno FreeLoader does it for me.
Lee, from South Texas - Down On The Rio Grande
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
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I tried the Hilton for a while. It is very good but I found the sound a bit harsh and "brittle" after a while. This eventually got to be very annoying. I went back to my old Goodrich and it was like slipping on an old comfortable pair of shoes - warm and comforting. I also use a little buffer amp plugged directly into the steel. It's called a LoZ and is/was made in Japan. I'm not sure if they're still available but it's just a very simple op-amp with unity gain.
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I have to say I have gone back to using a pot pedal and have never been happier with my tone. I was an early convert to the Hilton and keep one in my Steeler's Choice seat for a backup, and also have a few Goodrich LDRs that I use at home, but my favorite tone is definitely my old Emmons through the extremely cool and rather rare Franklin double pot pedal. I would love to find a backup for it. After all, if Paul uses a pot pedal, what else needs to be said?
Hope I am not adding confusion, but I would definitely encourage anyone looking to get a new VP to play through a pot pedal too and A/B it with any of the non-pot pedals out there.
Just my .45 cents (adjusted for Federal Reserve-induced inflation)
Gerald
Hope I am not adding confusion, but I would definitely encourage anyone looking to get a new VP to play through a pot pedal too and A/B it with any of the non-pot pedals out there.
Just my .45 cents (adjusted for Federal Reserve-induced inflation)
Gerald
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There was a time that a good pot was hard to find, now however Goodrich is installing pots that are guaranteed to be good for 1 million cycles. The Dunlop pots that Tom Bradshaw sells are quite good as well although a titch tougher to deal with due to the terminal types, flat spot on the shaft, and lack of slot in the end making it tougher to adjust easily. That being said- it is worth the effort in times that other good pots are scarce. The Hilton is also a very good pedal and a nice choice for an electronic pedal. The Telonics pedal is the top of the line in my opinion for many reasons and my most favorite attribute is the 6th selectable taper adding a 6db boost at the end of the throw allowing for much greater sustain on any instrument. The sales price of these pedals is tightly regulated so getting a discounted price is difficult and the margin is small as they are expensive to produce.
- Earnest Bovine
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