Tips on getting the "old" sound
Moderator: Shoshanah Marohn
- Tore Blestrud
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- Joined: 4 Aug 1998 11:00 pm
- Location: Oslo, Norway
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Tips on getting the "old" sound
Our band are going to record an album of classic old country songs.
Anyone got some tips on on how to get the good old Nashville sound. We will use good mics, make sure we have plenty of headroom, tictac bass and in your face vocals.
Mostly concerned about the drum sound.
Steel will be PushPull in Vibrosonic.
All tips are welcomed!
http://www.myspace.com/bhcwo
Anyone got some tips on on how to get the good old Nashville sound. We will use good mics, make sure we have plenty of headroom, tictac bass and in your face vocals.
Mostly concerned about the drum sound.
Steel will be PushPull in Vibrosonic.
All tips are welcomed!
http://www.myspace.com/bhcwo
Emmons D-10 P/P 78", Franklin D-10, Zum Encore. Sho-Bud LDG
- Scott Henderson
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- Location: Oklahoma, USA
Tips on getting the "old" sound
If possible, go analog (no digital) all the way. Record to tape thru an analog console, use tube amps, etc.
Regards,
David
Regards,
David
Equipment list in a constant state of flux
- Jack Stoner
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- Location: Kansas City, MO
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This link is to the owen bradley quanset hut facebook page where they have a ton of studio pictures. Pay close attention to the room, the dividers, where mics are, who is being recorded at the same time, what amps there are.
http://www.facebook.com/album.php?aid=1 ... 0133323733
Actually this page has more studio shots.
http://www.facebook.com/album.php?aid=1 ... 0133323733
I would think a vibrosonic would be too big to get any real tube vibe for recording. I have one and an old 9 watt airline with a 8 inch speaker and the airline is a better recording amp.
It looks like drums are done with one mic. It also looks like the singer is playing accoustic and singing at the same time but they only have one mic.
I also don't see pop screens and the vocal mics are higher above the singer than what I think many people do. I've read that you might get more of the whole body tone when you back away. Same goes for guitar cabinets....I hear. You may need dividers to help with separationwhen not close micing. i have a feeling that the old sound is less close micing, more room sound, having many people playing at one time, using less effects, single mics per instrument or cab and just mixing it to sound right.
That's a guess but I'll be trying similar stuff and we did a bunch of that of it on recordings on this page.
www.westcoastramblers.com
Steve
http://www.facebook.com/album.php?aid=1 ... 0133323733
Actually this page has more studio shots.
http://www.facebook.com/album.php?aid=1 ... 0133323733
I would think a vibrosonic would be too big to get any real tube vibe for recording. I have one and an old 9 watt airline with a 8 inch speaker and the airline is a better recording amp.
It looks like drums are done with one mic. It also looks like the singer is playing accoustic and singing at the same time but they only have one mic.
I also don't see pop screens and the vocal mics are higher above the singer than what I think many people do. I've read that you might get more of the whole body tone when you back away. Same goes for guitar cabinets....I hear. You may need dividers to help with separationwhen not close micing. i have a feeling that the old sound is less close micing, more room sound, having many people playing at one time, using less effects, single mics per instrument or cab and just mixing it to sound right.
That's a guess but I'll be trying similar stuff and we did a bunch of that of it on recordings on this page.
www.westcoastramblers.com
Steve
- Marc Jenkins
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- Teddy Ray Bullard II
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- Location: Pocatello, Idaho
BINGO!Marc Jenkins wrote:Whole band live in one room, minimalist micing with vintage or vintage-styled mics, tube gear if possible, recorded to tape, real plate reverb.
Also..
www.placidaudio.com
- Tony Prior
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good engineer and mastering...
are you using old wood drums or new not wood drums ?
what kind of room(s) will you be tracking in ?
t
are you using old wood drums or new not wood drums ?
what kind of room(s) will you be tracking in ?
t
Emmons L-II , Fender Telecasters, B-Benders
Pro Tools 8 and Pro Tools 12
jobless- but not homeless- now retired 8 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
Pro Tools 8 and Pro Tools 12
jobless- but not homeless- now retired 8 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
- Tore Blestrud
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- Location: Oslo, Norway
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- Orville Johnson
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- Location: Seattle, Washington, USA
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Hire an engineer who knows how to do this. I don't think you specified whether you were recording this in a studio with an engineer or if you were recording it yourself. If you are recording it yourself, you should definitely hire someone, at least as a consultant. Also, this will free you up to focus on the music and let the engineer worry about the technical end.
- Teddy Ray Bullard II
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- Location: Pocatello, Idaho
recording at ToeRag or Soilofthesouth would help.
this is a CURRENT picture. he records the old way.
http://www.soundonsound.com/sos/oct03/i ... rag6.l.jpg
http://www.toeragstudios.com/
http://www.youtube.com/watch?v=p6pkCdHQy0Q
this is a CURRENT picture. he records the old way.
http://www.soundonsound.com/sos/oct03/i ... rag6.l.jpg
http://www.toeragstudios.com/
http://www.youtube.com/watch?v=p6pkCdHQy0Q
- Tore Blestrud
- Posts: 469
- Joined: 4 Aug 1998 11:00 pm
- Location: Oslo, Norway
- Contact:
The album is finally done. Here is a little samle:
http://www.youtube.com/watch?v=UB9hxDjn ... ture=share
The Miktek CV-4 tube mic was a great investment.
http://www.youtube.com/watch?v=UB9hxDjn ... ture=share
The Miktek CV-4 tube mic was a great investment.
Emmons D-10 P/P 78", Franklin D-10, Zum Encore. Sho-Bud LDG
- Marc Jenkins
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- Bob Martin
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