Tuning With Harmonics?
Moderator: Shoshanah Marohn
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Tuning With Harmonics?
Before I became addicted to steel guitar, I spent a lot more time with regular six-string guitars than I have lately. Tuning with harmonics was a snap, and gave good results. Lately, I've been noticing people on the forum talking about tuning their steels this way. How is this accomplished? Are there instructions someplace, or some kind of a chart for tuning with harmonics?
Thanks - John
Thanks - John
- Jack Stoner
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- Larry Bell
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Buddy Emmons hasn't tuned with harmonics in decades. Several times, he's said he tunes as close to 'straight up' on a tuner as possible (also known as Equal Temperament).
Funny thing -- I can't hear much difference in his intonation comparing his early work (before electronic tuners) with more recent recordings. It's much more important to PLAY in tune. Buddy has proven that can be done within a pretty wide range of tuning techniques.
Funny thing -- I can't hear much difference in his intonation comparing his early work (before electronic tuners) with more recent recordings. It's much more important to PLAY in tune. Buddy has proven that can be done within a pretty wide range of tuning techniques.
Larry Bell - email: larry@larrybell.org - gigs - Home Page
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
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- CrowBear Schmitt
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tuning by harmonics :
Open/no pedals for starters -
(pedals & levers will follow)
all notes are picked in harmonics
on left reference tone / on right string to tune
you'll be using frets 5 7 & 12 mostly
you will also need a harmonic on the 4th fret - certainly not as easy as on frets 5,7 & 12
look for it, it's there
lever E lowers Es a half
lever F raises Es a half
lever G raises F#s a whole
lever D lowers Eb a half
lever V lowers Bs a half
E : string 8 fret 5 / string 4 fret 12
B : string 10 fret 5 / string 5 fret 12
F# : string 5 fret 7 / String 1 fret 12 - string
F# : string 1 fret 12 / string 7 fret 5
G# : string 8 fret 4 ( yep 4) / string 6 fret 5
G# : string 4 ( yep 4 ) / string 3 fret 5
Eb : string 5 fret 4 / string 2 fret 5
E : string 8 w: A&B fret 5 / string 6 w: A&B fret 7
A : string 6 w: A&B fret 5 / string 3 w: A&B fret 12
A : string 6 w: A&B fret 12 / string 9 fret 7
C# : string 5 w: A&B fret 12 / string 10 w: A&B fret 5
C# : string 6 w: B&C fret 4 / string 4 w: B&C fret 7
C# : string 6 w: B&C fret 4 / string 5 w: B&C fret 5
Eb : string 2 fret 12 / string 4 w lever E fret 12
Eb : string 2 fret 12 / string 8 w: lever E fret 5
B(G# lever): string 5 fret 5 / string 7 w: lever G fret 4
G# : string 3 fret 12 / string 1 w: lever G fret 12
F : string 5 w: A&B fret 4 / string 4 w: lever F fret 5
F : string 4 w: lever F fret 12 / string 8 w: lever F fret 5
Bb : string 7 fret 4 / string 5 w: lever V fret 5
Bb : string 5 w: lever V fret 12 / string 10 w: lever V fret 5
D : string 9 fret 5 / string 2 w: lever D fret 12
Last but not least, Compromise is inevitable when tuning certain strings & combinations of levers &/or pedals since we are tuning to 3 chords or keys : E - B - F#
Open/no pedals for starters -
(pedals & levers will follow)
all notes are picked in harmonics
on left reference tone / on right string to tune
you'll be using frets 5 7 & 12 mostly
you will also need a harmonic on the 4th fret - certainly not as easy as on frets 5,7 & 12
look for it, it's there
lever E lowers Es a half
lever F raises Es a half
lever G raises F#s a whole
lever D lowers Eb a half
lever V lowers Bs a half
E : string 8 fret 5 / string 4 fret 12
B : string 10 fret 5 / string 5 fret 12
F# : string 5 fret 7 / String 1 fret 12 - string
F# : string 1 fret 12 / string 7 fret 5
G# : string 8 fret 4 ( yep 4) / string 6 fret 5
G# : string 4 ( yep 4 ) / string 3 fret 5
Eb : string 5 fret 4 / string 2 fret 5
E : string 8 w: A&B fret 5 / string 6 w: A&B fret 7
A : string 6 w: A&B fret 5 / string 3 w: A&B fret 12
A : string 6 w: A&B fret 12 / string 9 fret 7
C# : string 5 w: A&B fret 12 / string 10 w: A&B fret 5
C# : string 6 w: B&C fret 4 / string 4 w: B&C fret 7
C# : string 6 w: B&C fret 4 / string 5 w: B&C fret 5
Eb : string 2 fret 12 / string 4 w lever E fret 12
Eb : string 2 fret 12 / string 8 w: lever E fret 5
B(G# lever): string 5 fret 5 / string 7 w: lever G fret 4
G# : string 3 fret 12 / string 1 w: lever G fret 12
F : string 5 w: A&B fret 4 / string 4 w: lever F fret 5
F : string 4 w: lever F fret 12 / string 8 w: lever F fret 5
Bb : string 7 fret 4 / string 5 w: lever V fret 5
Bb : string 5 w: lever V fret 12 / string 10 w: lever V fret 5
D : string 9 fret 5 / string 2 w: lever D fret 12
Last but not least, Compromise is inevitable when tuning certain strings & combinations of levers &/or pedals since we are tuning to 3 chords or keys : E - B - F#
Last edited by CrowBear Schmitt on 28 Jun 2010 1:01 am, edited 1 time in total.
- Clete Ritta
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- Location: San Antonio, Texas
I quote myself from this recent thread:
Follow this same order of string tuning, and use the harmonics on fret 12, 7 and 5 that CrowBear posted. It's just like you do on 6 string or mandolin and fiddle too for that matter.
This is why tuning by ear with harmonics is a little more accurate. The higher frequency of the two harmonics will "beat" more pronounced than the open strings. If you add a small amount of distortion, the harmonics are increased even more. Look at a strobe (if you have one) and you'll be watching exactly what you're hearing. Kinda like those old vinyl turntables with adjustable speed. Or like a wagon wheel that appears to be spinning the wrong direction. Is it an illusion, or are you really out of tune!
Clete
...From the E on string 4:
1. Tune the low E on 8 to 4.
2. Then tune your fifths to B on 5 and 10 with 4 and 8.
3. Then tune your thirds to G# on 6 and 3 so your E major triad sounds sweet with 8/4 and 5/10.
...4. Now tune 1 and 7 with 10, 5 and 2 so your B major triad sounds good.
...5. Bruce recommends tuning 9 to D with string 6 raised to A with the B pedal.
...Clete
Follow this same order of string tuning, and use the harmonics on fret 12, 7 and 5 that CrowBear posted. It's just like you do on 6 string or mandolin and fiddle too for that matter.
This is why tuning by ear with harmonics is a little more accurate. The higher frequency of the two harmonics will "beat" more pronounced than the open strings. If you add a small amount of distortion, the harmonics are increased even more. Look at a strobe (if you have one) and you'll be watching exactly what you're hearing. Kinda like those old vinyl turntables with adjustable speed. Or like a wagon wheel that appears to be spinning the wrong direction. Is it an illusion, or are you really out of tune!
Clete
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Wow - Thanks!
CrowBear, Clete - Thanks for going to the trouble of laying the whole thing out.
Thanks, everyone. This is great; a whole bunch of new stuff to play with!
- John -
Thanks, everyone. This is great; a whole bunch of new stuff to play with!
- John -