"Reverb" hardly there
Moderator: Shoshanah Marohn
- Jerry Eilander
- Posts: 136
- Joined: 26 Aug 2003 12:01 am
- Location: Hadspen, Tasmania, Australia
"Reverb" hardly there
Hi all
When I record on my” 16 track Akai recorder”,.
Everything is good, and it sounds great.
But when I burn it on a disk, the reverb seems to be a lot less than when recorded,
Also the Bass, don’t seem to come out as well, when recorded,
What is it, do I need a better CD burner .I tried different burning speeds, no different.
Any input
Thanks all, Cheers Jerry
When I record on my” 16 track Akai recorder”,.
Everything is good, and it sounds great.
But when I burn it on a disk, the reverb seems to be a lot less than when recorded,
Also the Bass, don’t seem to come out as well, when recorded,
What is it, do I need a better CD burner .I tried different burning speeds, no different.
Any input
Thanks all, Cheers Jerry
Linkon d-10 4x8. Fessenden sd-10.5x3. NV 112.G&L telie
- Johan Jansen
- Posts: 3328
- Joined: 4 Aug 1998 11:00 pm
- Location: Europe
- Contact:
Hi Jerry,
it is possible that you monitor the output from the reverb and the bass seperate from what you send to the master-recordingoutputs
Check if all switches are in the same position and listen to the outputs that go into the CD-burner or whatever.
succes!
Johan
it is possible that you monitor the output from the reverb and the bass seperate from what you send to the master-recordingoutputs
Check if all switches are in the same position and listen to the outputs that go into the CD-burner or whatever.
succes!
Johan
Last edited by Johan Jansen on 22 May 2010 3:13 am, edited 1 time in total.
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- Jack Stoner
- Posts: 22087
- Joined: 3 Dec 1999 1:01 am
- Location: Kansas City, MO
Larry has hit on what can happen if what you are listening to the mixdown with is bad or throwing you off. What you hear with headphones or with most PC speakers can be misleading.
I have a PC based recording system (using Sonar) and "studio monitor" speakers that I use for mixdown. But even with that it takes time and experience to know how to EQ everything. When I do a mixdown I also make a "test CD" that I play on various CD players including a portable (boombox), a car CD player and a stereo rack system. It can take several mixdowns/test CD's before I'm satisfied with the sound and do the "final mix".
The old "standard" was to mixdown so it sounds good on a cheap transistor radio, but that is not really the case today.
I have a PC based recording system (using Sonar) and "studio monitor" speakers that I use for mixdown. But even with that it takes time and experience to know how to EQ everything. When I do a mixdown I also make a "test CD" that I play on various CD players including a portable (boombox), a car CD player and a stereo rack system. It can take several mixdowns/test CD's before I'm satisfied with the sound and do the "final mix".
The old "standard" was to mixdown so it sounds good on a cheap transistor radio, but that is not really the case today.
- Greg Cutshaw
- Posts: 6610
- Joined: 17 Nov 1998 1:01 am
- Location: Corry, PA, USA
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I assume that your akai unit stores the recording as a pristine sounding .wav file. What format gets burnt to disk and at what bit rate? Is it possible that what gets burnt to the CD is a compressed file?
Alos, I'm sure yuo've noticed that you can put a lot of reverb on a steel or drum part and the reverb gets "eaten up" in the mix. I add what sounds like a lot of reverb to my steel solos, then when I play back the mix with drums, bass and rhythm parts, the reverb on the steel part sounds a lot lower than it did on the steel solo track. At that point I add more reverb to the steel part.
Poor high frequency response will kill the reverb on playback also. Again if the track burnt to CD is highly compressed, the reverb tail will suffer greatly.
Greg
Alos, I'm sure yuo've noticed that you can put a lot of reverb on a steel or drum part and the reverb gets "eaten up" in the mix. I add what sounds like a lot of reverb to my steel solos, then when I play back the mix with drums, bass and rhythm parts, the reverb on the steel part sounds a lot lower than it did on the steel solo track. At that point I add more reverb to the steel part.
Poor high frequency response will kill the reverb on playback also. Again if the track burnt to CD is highly compressed, the reverb tail will suffer greatly.
Greg
- Jerry Eilander
- Posts: 136
- Joined: 26 Aug 2003 12:01 am
- Location: Hadspen, Tasmania, Australia
Thanks all.
That will give me something to think about,
and yes ,I do run test CD,s, everytime I put the cd in the living room CD player, I get something els , the bigest thing being .that the reverb has deminist ,
so I use the ,Echo and Reverb very thick,when I do the Burn.
was hoping it would be a technical thing,
It does get recorded in ,wav file. 44. something
Thanks all greetings from "Down under"
That will give me something to think about,
and yes ,I do run test CD,s, everytime I put the cd in the living room CD player, I get something els , the bigest thing being .that the reverb has deminist ,
so I use the ,Echo and Reverb very thick,when I do the Burn.
was hoping it would be a technical thing,
It does get recorded in ,wav file. 44. something
Thanks all greetings from "Down under"
Linkon d-10 4x8. Fessenden sd-10.5x3. NV 112.G&L telie
You would appear to have a PHASE problem, or maybe your monitoring from the Akai has an Enhancer in the circuit.But when I burn it on a disk, the reverb seems to be a lot less than when recorded,
Also the Bass, don’t seem to come out as well, when recorded,
Is the final CD still in stereo with the left and right channel instrument placements correctly positioned as in your Original monitor mix ?
- Jerry Eilander
- Posts: 136
- Joined: 26 Aug 2003 12:01 am
- Location: Hadspen, Tasmania, Australia
Hi Basilh
I just had a good lissen to my CD,
And the stereo is gone as well.
now I,m getting exited ,because I think you got the answere
also I do put a little "Enhancer" in it,but on the instruments,
also I took the "Compression " down quite a bit.
thought that was the problem, it was partly
let me know about the "Stereo thing" please.
Thank you soooooo much ,
Cheers Jerry
I just had a good lissen to my CD,
And the stereo is gone as well.
now I,m getting exited ,because I think you got the answere
also I do put a little "Enhancer" in it,but on the instruments,
also I took the "Compression " down quite a bit.
thought that was the problem, it was partly
let me know about the "Stereo thing" please.
Thank you soooooo much ,
Cheers Jerry
Linkon d-10 4x8. Fessenden sd-10.5x3. NV 112.G&L telie
OK Jerry, as they say, "The Devil is in the detail"..
So you listen in stereo but the final track that's burned to CD is mono, somehow.
That would explain the loss of reverb. Normally Reverb, Chorus and most effects like that are in stereo, the accepted practise is to send to them in mono and the return is stereo, that creates the spread effect, BUT if the final overall mix is in mono ANYTHING that's panned left or right is diminished by 3db (A value of half).
Be aware that any instrument like tom toms or cymbals in the drum kit or acoustic guitars that are normally panned away from centre will also drop in perceived volume, BUT this is normal. Hit the mono button on your Hi Fi system whilst playing a commercial CD and you'll see what I mean..
You SHOULD be burning your CD's in stereo, so tell us HOW do you record the FINAL mix BEFORE burning ?
and how do you burn the CD, what outputs do you go from to get to the CD burner etc..
Name the models and make of the associated equipment, you say it's an Akai 16track, what model and from where on it's outputs are you monitoring and sending to the burner.. HOW can you burn at anything other than 1X ?
Where are the FINAL mixed down aif, or wav files located ?
So you listen in stereo but the final track that's burned to CD is mono, somehow.
That would explain the loss of reverb. Normally Reverb, Chorus and most effects like that are in stereo, the accepted practise is to send to them in mono and the return is stereo, that creates the spread effect, BUT if the final overall mix is in mono ANYTHING that's panned left or right is diminished by 3db (A value of half).
Be aware that any instrument like tom toms or cymbals in the drum kit or acoustic guitars that are normally panned away from centre will also drop in perceived volume, BUT this is normal. Hit the mono button on your Hi Fi system whilst playing a commercial CD and you'll see what I mean..
You SHOULD be burning your CD's in stereo, so tell us HOW do you record the FINAL mix BEFORE burning ?
and how do you burn the CD, what outputs do you go from to get to the CD burner etc..
Name the models and make of the associated equipment, you say it's an Akai 16track, what model and from where on it's outputs are you monitoring and sending to the burner.. HOW can you burn at anything other than 1X ?
Where are the FINAL mixed down aif, or wav files located ?
- Rick Campbell
- Posts: 4283
- Joined: 8 May 2006 12:01 am
- Location: Sneedville, TN, USA
I think Basilh is on the right track (no pun intended) First of all, it has nothing to do with the quality of your CD burner. It's digital so it should sound the same played back as it does recording.......... on the same system. When you go to different systems, as in your car, it will sound different. That's a monitoring problem and you have to either fix it or train your ears to compensate for it during the mixdown.
Anyway, fr0m what you describe, I don't think any of those things are your problem. I would bet you're monitoring through a different buss than you're recording. You've hearing the effects but recording a dry signal. I would check the Akia forums on the Internet and/or call their tech support. You're probably just a switch or mouse click away from having it right. Good luck!
Anyway, fr0m what you describe, I don't think any of those things are your problem. I would bet you're monitoring through a different buss than you're recording. You've hearing the effects but recording a dry signal. I would check the Akia forums on the Internet and/or call their tech support. You're probably just a switch or mouse click away from having it right. Good luck!
- Jerry Eilander
- Posts: 136
- Joined: 26 Aug 2003 12:01 am
- Location: Hadspen, Tasmania, Australia
hi all
I,m getting very close,
when I turn down the"Delay stereo" I,m getting full controle of the "Pan" again, that was way up high,
because I couldn,t hear the reverb very well ,that went up higher on each recording,
plus taking down the "Compression" also making the sound better,
I will check the "Buss". stuff.
I got a manuel for it, but its thicker than the Bible.
I had beter recordings done say 2 years ago than now.
guess I,m reading to much on how to record ,and should go back to basics,also I do burn in stereo. and in a "Wave'file, and the signal is coming out of ,Monitor output of the multi-track.into the Microphone input on the pc.
The burning program is called "Magic Music"
excelent as far as I,m concerned.
Basilh got me thinking. I will get there soon.
these are the specs of my machine, I had for 9 years
Akai DPS 16.
16\bit rate 44.1khz or non compressed 24-bit\96khz.
I,ve burnt it on my Home PC. and on my laptop, in my studio all the same,
think you are right Rick I,m just a click away,
Thank you all so much Cheers Jerry
I,m getting very close,
when I turn down the"Delay stereo" I,m getting full controle of the "Pan" again, that was way up high,
because I couldn,t hear the reverb very well ,that went up higher on each recording,
plus taking down the "Compression" also making the sound better,
I will check the "Buss". stuff.
I got a manuel for it, but its thicker than the Bible.
I had beter recordings done say 2 years ago than now.
guess I,m reading to much on how to record ,and should go back to basics,also I do burn in stereo. and in a "Wave'file, and the signal is coming out of ,Monitor output of the multi-track.into the Microphone input on the pc.
The burning program is called "Magic Music"
excelent as far as I,m concerned.
Basilh got me thinking. I will get there soon.
these are the specs of my machine, I had for 9 years
Akai DPS 16.
16\bit rate 44.1khz or non compressed 24-bit\96khz.
I,ve burnt it on my Home PC. and on my laptop, in my studio all the same,
think you are right Rick I,m just a click away,
Thank you all so much Cheers Jerry
Linkon d-10 4x8. Fessenden sd-10.5x3. NV 112.G&L telie
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- Location: Waterbury, CT USA
- Contact:
Jerry,
Can't help you out with your settings but, if you are using the mic input on your PC, The "mic input" is a MONO input. Your "line input" is stereo.
Basically what this means is that while you may have done your mix in stereo, when you take the output of that mix and put it into the mic input of the pc, the end result will be mono.
George
Can't help you out with your settings but, if you are using the mic input on your PC, The "mic input" is a MONO input. Your "line input" is stereo.
Basically what this means is that while you may have done your mix in stereo, when you take the output of that mix and put it into the mic input of the pc, the end result will be mono.
George
- Jerry Eilander
- Posts: 136
- Joined: 26 Aug 2003 12:01 am
- Location: Hadspen, Tasmania, Australia
- Keith Davidson
- Posts: 433
- Joined: 19 Apr 2010 9:28 pm
- Location: Nova Scotia, Canada
Hey Jerry,
I take it you are using separate tracks for your instruments. If so you need to have an input and output for each track. These are usually set by clicking on each track and configuring the input and output for each track. The output should either be going to your soundcard (need a good one) or to an audio interface which will replace your soundcard.
Each output usually has an option of mono, stereo, stereo left, stereo right. You may want to check each one to make sure you are on stereo. Like George said, you need to have the input coming in stereo as well or you don't have a stereo track to begin with.
You also mentioned that the pan was too high? Do you mean it was panned too far to the left or right?
Don't forget to remove any silence from each track if you have that option, that will clean up any dead spots.
Are you volume leveling? You want to get each song the same volume for it's output so that you don't have to dive off the couch for the volume button when the next song is incredibly loud - been there done that and got that t-shirt!...lol
I take it you are using separate tracks for your instruments. If so you need to have an input and output for each track. These are usually set by clicking on each track and configuring the input and output for each track. The output should either be going to your soundcard (need a good one) or to an audio interface which will replace your soundcard.
Each output usually has an option of mono, stereo, stereo left, stereo right. You may want to check each one to make sure you are on stereo. Like George said, you need to have the input coming in stereo as well or you don't have a stereo track to begin with.
You also mentioned that the pan was too high? Do you mean it was panned too far to the left or right?
Don't forget to remove any silence from each track if you have that option, that will clean up any dead spots.
Are you volume leveling? You want to get each song the same volume for it's output so that you don't have to dive off the couch for the volume button when the next song is incredibly loud - been there done that and got that t-shirt!...lol
- Jerry Eilander
- Posts: 136
- Joined: 26 Aug 2003 12:01 am
- Location: Hadspen, Tasmania, Australia
Hi, Keith
Thanks for the pointers,its been realy good.
so many little things ,I didn,t know
The pan wasn,t high ,the "Stereo Delay" was far to high,
Sorry about my "English grammar" I.m a Australian Dutch man. never had any schooling here,
Thanks so much,
Cheers from "Down under", Jerry
Thanks for the pointers,its been realy good.
so many little things ,I didn,t know
The pan wasn,t high ,the "Stereo Delay" was far to high,
Sorry about my "English grammar" I.m a Australian Dutch man. never had any schooling here,
Thanks so much,
Cheers from "Down under", Jerry
Linkon d-10 4x8. Fessenden sd-10.5x3. NV 112.G&L telie