Tube Mic For Vocals?
Moderator: Shoshanah Marohn
- Cass Broadview
- Posts: 292
- Joined: 27 Oct 2007 11:34 am
Tube Mic For Vocals?
I always wanted to try a tube microphone for vocals and acoustic guitar in our home studio. I've been looking at the Behringer T-47 and T-1 Vacuum Tube Condenser Microphones mainly because of price. Without the usual "i hate behringer products scenario" please, do you have an opinon on recording with tube mics? Do ribbion mics work well for recording vocals? Just want to warm up our vocals a bit. Cass
- Bryan Daste
- Posts: 1404
- Joined: 11 Jul 2005 12:01 am
- Location: Portland, Oregon, USA
- Contact:
- Justin Douglas
- Posts: 188
- Joined: 11 Jul 2003 12:01 am
- Location: Austin, TX
- Contact:
I actually just had a tube vocal mic custom built for my studio.
Tubes are only one factor in the sound of a microphone, and arguably not the largest. For the most part our ears like what tubes and transformers do to the human voice - essentially adding distortion - but cheap tubes, cheap electronics, cheap transfos and especially cheap capsules can really negate any notion of a 'tube mic' sound.
Chinese tube mics (like Behringer, Apex, Nady, etc) have a a scooped, hollow midrange and a really forced, brittle top end (treble) to them that's almost impossible to tame and very harsh on sibilance.
I'd highly recommend looking at KEL Audio microphones (I'm in no way affiliate with them, just own some). They're hand built in Canada by one fellow who's philosophy is building really natural sounding microphones for cheap. There's plenty of sound samples on the web site there.
The little Kel HM-1 can sound incredible on vocals (I'd be happy to email you some examples) plus it's a great mic for just about anything else.
Cheers!
Tubes are only one factor in the sound of a microphone, and arguably not the largest. For the most part our ears like what tubes and transformers do to the human voice - essentially adding distortion - but cheap tubes, cheap electronics, cheap transfos and especially cheap capsules can really negate any notion of a 'tube mic' sound.
Chinese tube mics (like Behringer, Apex, Nady, etc) have a a scooped, hollow midrange and a really forced, brittle top end (treble) to them that's almost impossible to tame and very harsh on sibilance.
I'd highly recommend looking at KEL Audio microphones (I'm in no way affiliate with them, just own some). They're hand built in Canada by one fellow who's philosophy is building really natural sounding microphones for cheap. There's plenty of sound samples on the web site there.
The little Kel HM-1 can sound incredible on vocals (I'd be happy to email you some examples) plus it's a great mic for just about anything else.
Cheers!
- Cass Broadview
- Posts: 292
- Joined: 27 Oct 2007 11:34 am
Justin, i took your advice and purchased a KEL HM-3C, it's just fantastic. They suggested this microphone for acoustic instrument recording such as my violin, cello, viola etc. It came with this neat aluminum case, shock spider mount, and they even gave me a 21 day money back guarantee. Thank you for your help.
Cass Broadview
Cass Broadview
- Mark van Allen
- Posts: 6378
- Joined: 26 Sep 1999 12:01 am
- Location: Watkinsville, Ga. USA
- Contact:
- Justin Douglas
- Posts: 188
- Joined: 11 Jul 2003 12:01 am
- Location: Austin, TX
- Contact:
- Terry Edwards
- Posts: 1138
- Joined: 13 Mar 2000 1:01 am
- Location: Florida... livin' on spongecake...