Which knees raise/lower your E strings?
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- Ryan Barwin
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Which knees raise/lower your E strings?
There's already an Emmons vs. Day setup poll...but here's a similar one: which knee levers raise and lower your E strings?
My setup is standard Emmons....raise on LKL, lower on LKR.
My setup is standard Emmons....raise on LKL, lower on LKR.
Last edited by Ryan Barwin on 14 Oct 2009 4:51 am, edited 1 time in total.
- Mike Perlowin
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There are both advantages and disadvantages to both having the 2 changes on the same knee, and on different knees.
Having them on different knees allows for a smooth transition between the raise and lower. But it means that you can't use the B to Bb change (if you have it) with one or the other changes.
Putting the E raises and lowers on the same knee lets you use the B to Bb change with both, (and I do) but the transition between them is much harder to get smoohly. More often than not, you get a little bump on the unaltered E note.
I can avoid getting that bump on my 2 older MSAs by raising my knee up to the point where it's hitting the vertical, and catching the levers as close to the undercarriage as possible. The knee levers appear to be a little further apart on the Millennium (I haven't measured the distances)and it's harder to make the transition as smooth as I can get it on the older guitars.
(Even so, I still prefer the Millennium.)
Having them on different knees allows for a smooth transition between the raise and lower. But it means that you can't use the B to Bb change (if you have it) with one or the other changes.
Putting the E raises and lowers on the same knee lets you use the B to Bb change with both, (and I do) but the transition between them is much harder to get smoohly. More often than not, you get a little bump on the unaltered E note.
I can avoid getting that bump on my 2 older MSAs by raising my knee up to the point where it's hitting the vertical, and catching the levers as close to the undercarriage as possible. The knee levers appear to be a little further apart on the Millennium (I haven't measured the distances)and it's harder to make the transition as smooth as I can get it on the older guitars.
(Even so, I still prefer the Millennium.)
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
Jimmy Day didn't raise on LKR, lower on LKL as you might have expected: <center>
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Knees
Emmons- raise on LKL lower on LKR
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- Jeremy Threlfall
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9 people have answered the poll with that option so far. You're not alone.Hap Young wrote:Am I the only one who uses this set up? RKL raises, RKR lowers.
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- Billy Peddycoart
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- Jim Lindsey (Louisiana)
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I also raise my "E" strings on the right knee left and lower them on the right knee right. Here's my whole Copedent below:
This setup has always worked extremely well for me and I really like it. The only problem with it is when I sit in on someone else's guitar who's setup is reversed to mine ... I get to playing and forget to think "backwards" on the knee levers and end up coming up with some interesting but less than desirable sounds!
This setup has always worked extremely well for me and I really like it. The only problem with it is when I sit in on someone else's guitar who's setup is reversed to mine ... I get to playing and forget to think "backwards" on the knee levers and end up coming up with some interesting but less than desirable sounds!
1986 Mullen D-10 with 8 & 7 (Dual Bill Lawrence 705 pickups each neck)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
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- Darvin Willhoite
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I lower my E's with the RKR. I didn't raise the E's until I had been playing about 20 years. When I did put that change on my guitars, the LKR was the only position I had for it to go, so that's where it went. I'm used to it now, and it works for me.
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, as well as some older MSAs, several amps, new and old, and a Kemper Powerhead that I am really liking. Recently added a Zum D10, a Mullen RP, and a restored blue Rose, named the "Blue Bird" to the herd. Also, I have acquired and restored the plexiglass D10 MSA Classic again that was built as a demo in the early '70s. I also added a '74 lacquer P/P, with wood necks.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, as well as some older MSAs, several amps, new and old, and a Kemper Powerhead that I am really liking. Recently added a Zum D10, a Mullen RP, and a restored blue Rose, named the "Blue Bird" to the herd. Also, I have acquired and restored the plexiglass D10 MSA Classic again that was built as a demo in the early '70s. I also added a '74 lacquer P/P, with wood necks.