The Steel Guitar Forum Store 

Post new topic Alvino Rey (1959)
Reply to topic
Author Topic:  Alvino Rey (1959)
Dennis Saydak


From:
Manitoba, Canada
Post  Posted 14 Jun 2009 5:41 am    
Reply with quote

Warning, not for the faint of heart! Wink

Some wild right hand techniques from the Lawrence Welk days.

http://www.youtube.com/watch?v=hHlmsMhcdrM&feature=related
_________________
Dennis
Just when you think you're getting ahead in the rat race, the rats get faster.
View user's profile Send private message Send e-mail

Jon Light (deceased)


From:
Saugerties, NY
Post  Posted 14 Jun 2009 6:12 am    
Reply with quote

He's cheating. Unfair advantage.


View user's profile Send private message Visit poster's website

Jerry Overstreet


From:
Louisville Ky
Post  Posted 14 Jun 2009 6:33 am     nice
Reply with quote

Thanks Dennis. Alvino Rey was an terrific innovator. Steel guitar was used in big band and orchestra all the time back then.... What happened Question

I cheated over to the audio clip of "My Buddy" with him and his wife Louise King on the Sonovox. Pretty cool. I bet these things would be a big hit today. Idea

Thanks for the link.
View user's profile Send private message Send e-mail

Bent Romnes


From:
London,Ontario, Canada
Post  Posted 14 Jun 2009 6:42 am    
Reply with quote

That man was from another dimension. It is just impossible for a normal steel player to do that stuff.
At 1:15 he even makes the thing sing La la la, clear as day!
_________________
BenRom Pedal Steel Guitars
https://www.facebook.com/groups/212050572323614/
View user's profile Send private message Send e-mail Visit poster's website

Eddie Cunningham

 

From:
Massachusetts, USA
Post  Posted 14 Jun 2009 10:06 am     Banjo & Guitar player !!???
Reply with quote

I believe that Alvino considered himself a Banjo and guitar player and the steel was just a sideline !! He was an absolute musical genius and very talented in what ever he played !! What would he have accomplished if he put all his energy into just the steel guitar ??? His "Talking Steel" always fascinated me from the late 30s , early 40s when I first became aware of a steel guitar !!! Eddie "C"
View user's profile Send private message Send e-mail

Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 14 Jun 2009 11:19 am     Re: nice
Reply with quote

Jerry Overstreet wrote:
Thanks Dennis. Alvino Rey was an terrific innovator. Steel guitar was used in big band and orchestra all the time back then.... What happened Question



The E9th tuning came along, and it got all "whiny". Mr. Green
View user's profile Send private message Send e-mail

John W Taylor

 

From:
Louisiana, USA
Post  Posted 14 Jun 2009 11:36 am    
Reply with quote

I inherited a lap steel guitar from my mother. She told me that her father bought her the guitar in the mid to late 30's from Alvino Ray. Her recolection was that Alvino built the guitar. My guitar has no markings or serial numbers. Any one seen an Alvino Ray built guitar? Any ideas on how to verify her recoletions? The guitar is made from three very large pieces of, what appears to be, mahogany. The three pieces are laminated in the longitudinal axis with the grains of the wood running opposite of each piece.

Thanks,

JT
View user's profile Send private message Send e-mail

John Billings


From:
Ohio, USA
Post  Posted 14 Jun 2009 11:58 am    
Reply with quote

Pictures Jake?
View user's profile Send private message Send e-mail

John W Taylor

 

From:
Louisiana, USA
Post  Posted 14 Jun 2009 2:28 pm    
Reply with quote

I don't have any pics at the moment. I am away from the guitar. I put some up as soon as I can. The head stock is shaped like the top of a picket fence and it has what appears to be very high quality tuning machines. It stays in tune forever. It also has a very heavy chrome or nickle plated hand rest at the bridge. Thanks for your interest.

JT
View user's profile Send private message Send e-mail

Bill Stafford


From:
Gulfport,Ms. USA
Post  Posted 15 Jun 2009 6:29 pm     Alvino Rey
Reply with quote

When I was with Sierra, Alvino visited us for about two weeks every day while we were building him his new eleven string steel guitar. (He heard my 14 string unit and really liked all the chords in that lower range but he said he was too old to change very much. He opted for us to just add my 14th string to his new order. That gave him another E note-080ga at that time.
We would sit in his motor home every morning and have coffee with him and his wife Louise King Rey. Alvino told us one morning that he used to study classical guitar for two years in Europe wih Segovia- and if he had ever mentioned to Segovia that he liked electric steel guitar music, Segovia would have physically kicked him out of Europe forever. Interesting story and it illustrates why and how Alvino was such a great musician. Meeting and being befriended by Alvino Rey is one of my proudest moments.
Bill Stafford
View user's profile Send private message Send e-mail

Billy Tonnesen

 

From:
R.I.P., Buena Park, California
Post  Posted 15 Jun 2009 7:31 pm    
Reply with quote

I got to see Alvino twice somewhere in the late 40's,first time was with his big band at the Aragon Ballroom in Ocean Park, Ca. (Just down from Santa Monica) He did his Steel Guitar specialty songs during the evening but mostly played Lead Guitar with the big band (he had it on a tall stand that he could walk up to and play. I showed up at the box office without a tie and they promptly lent me one to wear with my sports coat. (differen't times back then).

The second time was when he was playing at a Club in West Los Angeles with a small group. He played a lot of Steel and Lead Guitar on a lot of songs with a more Jazz type venue. His Steel was a little worn from the years but sounded great.


Last edited by Billy Tonnesen on 16 Jun 2009 12:11 pm; edited 1 time in total
View user's profile Send private message Visit poster's website

Billy Tonnesen

 

From:
R.I.P., Buena Park, California
Post  Posted 15 Jun 2009 7:31 pm    
Reply with quote

I got to see Alvino twice somewhere in the late 40's,first time was with his big band at the Aragon Ballroom in Ocean Park, Ca. (Just down from Santa Monica) He did his Steel Guitar specialty songs during the evening but mostly played Lead Guitar with the big band (he had it on a tall stand that he could wald up to and play. I showed up at the box office without a tie and they promptly lent me one to wear with my sports coat. (differen't times back then).

The second time was when he was playing at a Club in West Los Angeles with a small group. He played a lot of Steel and Lead Guitar on a lot of songs with a more Jazz type venue. His Steel was a little worn from the years but sounded great.
View user's profile Send private message Visit poster's website

Paul Graupp

 

From:
Macon Ga USA
Post  Posted 16 Jun 2009 3:09 am    
Reply with quote

Wow !! Buddy Emmons, Ben Keith and Alvino Rey first thing in the morning. I think I may have OD'd on this music...

Regards, Paul Very Happy Shocked Whoa!
View user's profile Send private message Send e-mail

Dr. Hugh Jeffreys

 

From:
Southaven, MS, USA
Post  Posted 4 Jul 2009 6:25 pm     continued
Reply with quote

I've always had great respect for trailblazers: Alvino was definitely one. He used to tell me that he practiced more on guitar than on steel. He sent me some tapes that he had rejected for publication because of poor engineering and other areas. I don't see how professional sound engineers can release such lousy work, poor balance, over-riding bass, etc. They are realy bad. Alvino did a lot of work (ie, Gibson Co) that Les Paul got credit for. The Sonovox bit was a commercial gimmik; a band has to do some things to make money! He said he choose not to develop a single string technique, although he was VERY FAST on elec. guitar and Classical as well. One thing that drew him to my playing was my rapid single-stg. style. He asked: How? I told him I played with all 5. Another thing that both of us had in common is the ability to arrange/compose/orchestrate. That has probably been the single most important factor in the development of my playing. I used to talk to him c. once a month. It was really something to ask a question about the profession and listen to his labyrinth of experiences.
View user's profile Send private message Send e-mail Visit poster's website

Walter Stettner


From:
Vienna, Austria
Post  Posted 4 Jul 2009 11:33 pm    
Reply with quote

Thanks for posting that link! That is really something else to see and hear. What a musician, truly an innovator!

Kind Regards, Walter
_________________
www.lloydgreentribute.com
View user's profile Send private message Send e-mail Visit poster's website

Dave Mudgett


From:
Central Pennsylvania and Gallatin, Tennessee
Post  Posted 4 Jul 2009 11:55 pm    
Reply with quote

Great clip. My dad still talks about seeing Alvino Rey when he was training on the West Coast during WWII. To prove to him you were a serious guitar player, he always said, "OK, hotshot - play something by Alvino Rey." Of course, Alvino was a fine 6-string guitar player also.
View user's profile Send private message Send e-mail

Deke Dickerson

 

From:
California, USA
Post  Posted 10 Aug 2009 12:50 am    
Reply with quote

If you're in Southern California, or visiting there, you owe it to yourself to go to the Museum of Making Music in Carlsbad. They have a terrific exhibit there right now called "ON!" about the early days of electric instruments. The reason I mention it here is because they have lots of Alvino Rey's personal instruments on display there, including the famous "Frying Pan buried in an acoustic guitar body" Alvino used to have to play when people wouldn't accept the Frying Pan on its own. There's also a really spiffy Sho-Bud pedal steel with Alvino's name on the front....and tons of other stuff that list members would really like.

Deke



View user's profile Send private message Send e-mail

Jerry Overstreet


From:
Louisville Ky
Post  Posted 10 Aug 2009 4:51 am    
Reply with quote

Interesting info there Deke, particularly the frying pan disguise Smile...kinda like Les Paul's "log" huh? Back then, established tradition was difficult to overcome, I guess.

I noted the Charlie Christian on the banjer too Exclamation
View user's profile Send private message Send e-mail

Jim Cohen


From:
Philadelphia, PA
Post  Posted 10 Aug 2009 5:01 am     Re: Alvino Rey
Reply with quote

Bill Stafford wrote:
When I was with Sierra, Alvino visited us for about two weeks every day

Reminds me of the line, "I spent a year in Reno one night." or something like that.

He must have been an incredibly good classical guitarist to get to study with Segovia. I would have thought that maybe because he was a famous American artist, that perhaps Segovia would agree to teach him regardless, but if he had to keep his accomplishments on the 'electric steel guitar' to himself and not tell Segovia that, then I presume he must have gotten to study with him solely on the basis of his classical guitar playing and he must have been in the highest echelon of players like Parkening, Williams, et al. I'd like to hear some of that!
_________________
www.JimCohen.com
www.RonstadtRevue.com
www.BeatsWalkin.com
View user's profile Send private message Send e-mail Visit poster's website

Roger Shackelton

 

From:
MINNESOTA (deceased)
Post  Posted 10 Aug 2009 9:17 am     Hindustan
Reply with quote

HINDUSTAN

Main Entry: Hin·du·stan
Pronunciation: \ˌhin-(ˌ)dü-ˈstan, -də-, -ˈstän\
Function: Geographical Name

1.A region of Northern INDIA North of the Deccan
including the plain drained by the Indus, the
Ganges, & the Brahmaputra

2.The subcontinent of India

3.The Republic of India
View user's profile Send private message Send e-mail


All times are GMT - 8 Hours
Jump to:  

Our Online Catalog
Strings, CDs, instruction,
steel guitars & accessories

www.SteelGuitarShopper.com

Please review our Forum Rules and Policies

Steel Guitar Forum LLC
PO Box 237
Mount Horeb, WI 53572 USA


Click Here to Send a Donation

Email admin@steelguitarforum.com for technical support.


BIAB Styles
Ray Price Shuffles for
Band-in-a-Box

by Jim Baron
HTTP