Advice on favorite box to replicate an organ sound.
Moderator: Shoshanah Marohn
Advice on favorite box to replicate an organ sound.
I'm looking for a stomp box that can be used to replicate an organ sound. Something on the order of a Leslie simulator or a Boss Vibrato maybe. I'm not so hot on choruses. I saw Jon Graboff use something that sounded interesting but don't know what it was. Any ideas would be great.
Thanks
Thanks
- Doug Palmer
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jsaine
Jsaine, I have a Leslie that I have used for years. Got tired of hauling it around and got a Boss RT-20. Doesn't have the 3-D sound up close, but put it in the mix and it sounds pretty close.
If you are not careful it will sound like a cheap chorus. Tweak it just right and adjust your playing style. It works for me.
Doug
If you are not careful it will sound like a cheap chorus. Tweak it just right and adjust your playing style. It works for me.
Doug
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Some earlier discussion of POGs:
http://bb.steelguitarforum.com/viewtopic.php?t=132051
And I see that the POG2 is available.
http://bb.steelguitarforum.com/viewtopic.php?t=132051
And I see that the POG2 is available.
- Erv Niehaus
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You can get a good organ sound out of the micro POG but not as good as the full blown POG.
With the big POG, the sound is reproduced one octave below and one and two octaves above. There is also a "detuning" feature on the big POG. On the micro POG, there is no detuning feature and no two octaves above reproduction.
With the big POG, the sound is reproduced one octave below and one and two octaves above. There is also a "detuning" feature on the big POG. On the micro POG, there is no detuning feature and no two octaves above reproduction.
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jsaine, the leslie sound I'd dial up while I was touring with Ryan Adams was with a Line 6 Modulation box. I also have a Voce Spin ll but even after having it modded, it just doesn't sound voiced right for the pedal steel (a problem I've experienced with a lot to stomp boxes), so I tend to not use it (sounds great with a regular electric guitar by the way).
I've recently picked up the Eventide versions of the Line 6 stuff which sounds better but can get very complicated with all it's banks and finding presets, etc.
IMHO, nothing is ever truly satisfying compared to the real thing, but who's gonna carry around a real leslie? JG
I've recently picked up the Eventide versions of the Line 6 stuff which sounds better but can get very complicated with all it's banks and finding presets, etc.
IMHO, nothing is ever truly satisfying compared to the real thing, but who's gonna carry around a real leslie? JG
- Erv Niehaus
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- Jonathan Mitguard
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I also use the Line 6 and it works pretty well, always turns heads looking for the organ. By it's self there is no confusing it for a B3 but in a mix of music it is a useful simulator tool.Jon Graboff wrote:jsaine, the leslie sound I'd dial up while I was touring with Ryan Adams was with a Line 6 Modulation box.
What ever you get though must have the ability to simulate the speed up and slowdown of the spinning horn, not just fast and slow. That is where it's at for the leslie sound.
- Dave Beaty
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Best rotary unit
Jsaine, I had a project a few months ago to research the very same thing. After MUCH work and many comparisons, I too finally settled on the "Dynacord CLS 222 Leslie simulator". There are a number of minor model variations, and like old amps, there is a "black face" unit, a "white face" unit and others, but you will not go wrong with any of the related models. I ended up buying three of them from eBay and they really did the job - they are head and shoulders above anything else we could find - like anything else that offers quality, reliability and performance, they cost a bit more, but its worth it. I heartily recommend that unit if you are serious about achieving the best rotary sound. If you need any related information, just shoot me an email.
Best of luck with your project.
Dave
Best of luck with your project.
Dave
- John McClung
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Any new organ simulators available since this thread was started? I've been reading good things about the Neo Ventilator, anyone have experience with it?
E9 INSTRUCTION
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
- Scott Swartz
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I use the "organ sound" quite a bit in one band I work with, and to get the closest to the B3 sound you need harmonization to simulate the thickness of all the octave drawbars, some way to get the percussion part of the the B3 tone, rotary simulation of some sort, and a bit of overdrive for sustain and the grit common in B3 sounds.
The POGs are excellent for harmonization, but the HOG is even better since it can do a reasonably facsimile of the percussion.
I use a RT20 for the rotary, it sounds pretty realistic, although any rotary effect in mono through an amp is going to be a compromise compared to a leslie.
The POGs are excellent for harmonization, but the HOG is even better since it can do a reasonably facsimile of the percussion.
I use a RT20 for the rotary, it sounds pretty realistic, although any rotary effect in mono through an amp is going to be a compromise compared to a leslie.
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Scott, how do you set the HOG to emulate the percussion?Scott Swartz wrote:...The POGs are excellent for harmonization, but the HOG is even better since it can do a reasonably facsimile of the percussion...
Remember that the Neo Ventilator is a Leslie sim and will not do anything to simulate the stops, the clicks, or the percussive effects.
FWIW, here are the stops for the upper bank on a Hammond B3 drawbar organ:
Code: Select all
Stops Cents
16' -12
8' 0
5 1/3' +7
4' +12
2 2/3' +19
2' +24
1 3/5' +28
1 1/3' +31
1' +36
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I have a Korg G4 which is pretty good.
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- Scott Swartz
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Lynn,
Its a little complicated to explain without having a HOG to work with, but basically the octaves are split 5 and 5 and you can tweak the attack and decay of each set of 5 seperately. So, you set the upper octaves to decay quickly, giving a chirp like the B3 percussion.
The other important part is the Spectral Gate button, which greatly emphasizes the fundamental of the steel signal, or another way to look at it is it turns the steel signal into a sine wave. The octaves are then added to this fundamental only signal which mimics the way drawbars work, ie adding sine waves. Since the octaves are being generated off the fundamental, the volume of all the voices stay constant relative to one another like on a B3. With the sustain of steel you can get a very long unchanging note like holding down a key on an organ. A little overdrive helps with this also.
Check out
http://www.ehx.com/products/hog
http://www.ehx.com/blog/effectology-hammond-b3-organ
Its a little complicated to explain without having a HOG to work with, but basically the octaves are split 5 and 5 and you can tweak the attack and decay of each set of 5 seperately. So, you set the upper octaves to decay quickly, giving a chirp like the B3 percussion.
The other important part is the Spectral Gate button, which greatly emphasizes the fundamental of the steel signal, or another way to look at it is it turns the steel signal into a sine wave. The octaves are then added to this fundamental only signal which mimics the way drawbars work, ie adding sine waves. Since the octaves are being generated off the fundamental, the volume of all the voices stay constant relative to one another like on a B3. With the sustain of steel you can get a very long unchanging note like holding down a key on an organ. A little overdrive helps with this also.
Check out
http://www.ehx.com/products/hog
http://www.ehx.com/blog/effectology-hammond-b3-organ
- Gerry Simon
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