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Post new topic Pete Drake's "Goldie"...?
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Author Topic:  Pete Drake's "Goldie"...?
James Collett

 

From:
San Dimas, CA
Post  Posted 13 Jun 2009 2:47 pm    
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So I'm in Nashville on vacation and went to the Musician's H O F to see, among other things, "Goldie". Upon looking at the undercarriage, I realized that neither the bellcrank assembly or the changer fingers were original, at least according to what r & b baldwin crossovers are supposed to look like. It had 2-hole pullers and nylon tuners, as well as (what I thought was) a 3 and 2 changer. Does anyone know anything about the possible history of this modification?

Thanks!
James
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James Collett
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Kevin Hatton

 

From:
Buffalo, N.Y.
Post  Posted 13 Jun 2009 7:00 pm    
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Yes, there is a good possibility that Duanne Marrs of Sho-Bud fame did it. I know that he worked on that guitar.
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Chris Lucker

 

From:
Los Angeles, California USA
Post  Posted 13 Jun 2009 10:35 pm    
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I do not know much about Sho-Buds, but I thought Pete Drake's famous guitar was a Cabinet end with old Permanent mechanics or even Fingertip/Permanent undersides? I do not know, other than to expect the mechanics to be pre-Baldwin.
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Skip Edwards

 

From:
LA,CA
Post  Posted 13 Jun 2009 11:41 pm    
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I'm pretty sure Pete had more than one Goldie. I believe the one that's on display in the glass case - with the cowboy boots - is a Professional, and may have had an updated undercarriage.
If I remember right, it's blonde laq with black necks?
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Benton Allen


From:
Muscle Shoals, Alabama, USA
Post  Posted 14 Jun 2009 6:09 am    
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For some reason I always thought that Pete played an old Sho-Bud Crossover that had been modified over the years to suit his needs. I realize I could be totally off base and wrong also. I'll bet Los Bobster would know the true skinny on Pete's guitar/guitars. Maybe Mr. Seymour will see this and weigh in.

Cheers!
Benton
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Rich Peterson


From:
Moorhead, MN
Post  Posted 14 Jun 2009 7:47 am    
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I recall reading in Guitar Player the Pete Drake had at least three PSGs. If he came up with a new lick for a song that was a big hit, he would reserve that lick for that particular artist's sessions. If the lick required a particular change, he'd have the guitar sent to the shop to prep it for the upcoming session. So he had three instruments cycling between shop and studio.
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James Collett

 

From:
San Dimas, CA
Post  Posted 14 Jun 2009 2:09 pm    
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Well, the Sho-Bud refered to as "Goldie" in the Musician's Hall of Fame had a '57 Les Paul-type gold finish, not sure if that makes a difference.
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James Collett
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