HAL RUGGS E-9 th/6th TUNING?
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HAL RUGGS E-9 th/6th TUNING?
Does anyone have Hal's E9/6 Tuning chart?
ROGER
ROGER
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Hal Rugg pedals
I've been told Hal used the Jimmy Day setup on E9th, same as John Hughey & a lot of others. Don't know about C6th.but they both sure knew what to do & when to do it. Andy H.
- Larry Bell
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I believe that he later went back to C6 or maybe D6. I also believe he told me that the two bottom strings on this tuning are out of sequence (like the top two on E9 -- not in order). My memory ain't what it used to be, but I believe the 8th string is the lowest string and the C# is tuned 1 step above the B on the 7th and the F# is 1 step above the E on 6.
Larry Bell - email: larry@larrybell.org - gigs - Home Page
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
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- Charlie Moore
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tuning
If one was to use this tuning what guage strings would you use?..thanks in advance..
Charlie......
Charlie......
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- Andrew Frost
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Well, this is illuminating. Thanks Larry. I've spent time studying that chart in the back of the Winnie book, and have been curious about those two bottom strings. I thought it was like a bass guitar power chord, which seemed plausible but odd...My memory ain't what it used to be, but I believe the 8th string is the lowest string and the C# is tuned 1 step above the B on the 7th and the F# is 1 step above the E on 6.
- Johnny Cox
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Didn't Hal and Welden tune their second string to a C# for a while in the 70's?
I Remember Hal saying he liked raising stings rather than lowering them. That would make it also, a E9/6 tuning.
I Remember Hal saying he liked raising stings rather than lowering them. That would make it also, a E9/6 tuning.
Emmons SKH Le Grande, '73 P/J bass, Tick tack bass, Regal high strung, and a Coral Sitar, USA Nashville 112.
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Here is Hal's chart (in his hand writing) for the E6/9 tuning that he had on his Franklin, used on the 'Altered Ego' album. I'll leave it up to you guys to chart it out in a format that is easier to visualize.
I built Hal a guitar with this tuning in 1982, and I agree with Johnny, I couldn't get anything out of it.
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For many years i have asked for Hall'S E9/6 copedant.Mister Zumsteg has written the action of the pedals and knee levers , but what are the names of the strings? are they the ones written in W.Winston's book " PEDAL STEEL GUITAR"? please, does anybody know for sure? and are the two botton strings really out of order? thanks in advance
- Bill Cunningham
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Wow! That says a lot. Johnny is known for being able to sit at about any guitar and play it well in a couple of minutes.Johnny Cox wrote:Bruce Zumsteg should have a chart on this. He built Hal an SD10 with this tuning on it. I played around with it for a couple days but couldn't make heads or tails of it.
Bill Cunningham
Atlanta, GA
Atlanta, GA
- Roger Rettig
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Bill - I was about to say the same thing.
If Johnny couldn't figure it out, then it's a pretty arcane tuning!!
D13th is giving me all the headaches I can handle.
If Johnny couldn't figure it out, then it's a pretty arcane tuning!!
D13th is giving me all the headaches I can handle.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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