Emmons push pull Double 12
Moderator: Shoshanah Marohn
- Craig Smith
- Posts: 4
- Joined: 30 Dec 2008 8:38 am
- Location: Wisconsin, USA
Emmons push pull Double 12
Greetings, I am working on an old Emmons double 12. I traded for this guitar several years ago and it came with the lower neck partially dis-assembled. I am wondering what tuning and changes might have been on this steel, or what all of the other double 12 push pull players are using. I play on a 2-10 at present and thought it might be best not to get too exotic. This guitar has an 8 x 4 setup and will probably add 2 more knees. Any Thoughts will be helpful. Thanks
- Tony Glassman
- Posts: 4470
- Joined: 18 Jan 2005 1:01 am
- Location: The Great Northwest
- Dave Ristrim
- Posts: 1146
- Joined: 4 Aug 1998 11:00 pm
- Location: Whites Creek, TN
On the C neck, I like having the standard C6 tuning on strings 2 - 11 with a D on the 1st string and low A on the 12th. That's just me, although I know Bobby Black had his set up that way back in the 70's, and you can get some great riffs with both the D and G on the top. I've got 4 D12's set up like this.
- David Doggett
- Posts: 8088
- Joined: 20 Aug 2002 12:01 am
- Location: Bawl'mer, MD (formerly of MS, Nawluns, Gnashville, Knocksville, Lost Angeles, Bahsten. and Philly)
Craig, I recently researched this to find the most common standard D12 setup to put on a Carter D12 I am fixing up to sell. Here is what I came up with:
[tab]E9 Extended
LKL LKV LKR RKL RKR
P1 P2 P3 P4
1 F# G, G# +1
2 D# E -1 D, C# -1
3 G# A +1/2
4 E F +1/2 Eb -1/2 F# +1
5 B Bb -1/2 C# +1 C# +1 A -1
6 G# A +1/2 F# -1
7 F# G# +1
8 E F +1/2
9 D C# -1/2
10 B Bb -1/2 Eb -1/2 C# +1 A -1
11 G# A +1/2
12 E
12-string C6
LKL LKV LKR RKL RKR
P5 P6 P7 P8
1 F
2 D
3 G
4 E F +1/2
5 C D +1 B -1/2 Db +1/2
6 A B +1
7 G Gb -1/2
8 E Eb -1/2
9 C Db +1/2
10 A
11 F Gb +1/2 E -1/2
12 C D +1 A -1 1/2
[/tab]
The 4th pedal has a Franklin pedal for the E9 neck, which I am leaving on there just because it is already there. A traditional C6 player might want the traditional C6 4th pedal there.
[tab]E9 Extended
LKL LKV LKR RKL RKR
P1 P2 P3 P4
1 F# G, G# +1
2 D# E -1 D, C# -1
3 G# A +1/2
4 E F +1/2 Eb -1/2 F# +1
5 B Bb -1/2 C# +1 C# +1 A -1
6 G# A +1/2 F# -1
7 F# G# +1
8 E F +1/2
9 D C# -1/2
10 B Bb -1/2 Eb -1/2 C# +1 A -1
11 G# A +1/2
12 E
12-string C6
LKL LKV LKR RKL RKR
P5 P6 P7 P8
1 F
2 D
3 G
4 E F +1/2
5 C D +1 B -1/2 Db +1/2
6 A B +1
7 G Gb -1/2
8 E Eb -1/2
9 C Db +1/2
10 A
11 F Gb +1/2 E -1/2
12 C D +1 A -1 1/2
[/tab]
The 4th pedal has a Franklin pedal for the E9 neck, which I am leaving on there just because it is already there. A traditional C6 player might want the traditional C6 4th pedal there.
Last edited by David Doggett on 20 Jan 2009 12:22 pm, edited 2 times in total.
- Craig Smith
- Posts: 4
- Joined: 30 Dec 2008 8:38 am
- Location: Wisconsin, USA
Thanks to everyone for the info. I will try to contact the other 12 string players as suggested. I have found so many different tunings, scanning the internet, and all seem to have unique and useful qualities. Setting the steel up is not a permanent thing so I can always change things later. All of the input from other forum members sure can save time and frustration though. This is a great learning center. Many thanks to all.
- John Bechtel
- Posts: 5103
- Joined: 1 Jul 2002 12:01 am
- Location: Nashville, Tennessee, R.I.P.
I saw a nice looking D–12 Emmons P/P over at Bobbe's yesterday. I didn't check out the copedent, but; the necks had these basic tunings:
E9 = E~G#~B~D~E~F#~G#~B~E~G#~D#~F#
C6 = C~F~A~C~E~G~A~C~E~G~B~D
E9 = E~G#~B~D~E~F#~G#~B~E~G#~D#~F#
C6 = C~F~A~C~E~G~A~C~E~G~B~D
<marquee> Go~Daddy~Go, (No), Go, It's your Break Time</marquee> L8R, jb
My T-10 Remington Steelmaster
My T-10 Remington Steelmaster
Here's my D-12 copedent. It's not a push-pull, but if you had 10 pedals it could be. <center>
</center>
</center>
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