Author |
Topic: Split Tuning Methods |
Danny Hullihen
From: Harrison, Michigan
|
Posted 20 Mar 2008 4:50 am
|
|
Anyone care to share their methods or special techniques they use in these applications? |
|
|
|
Pit Lenz
From: Cologne, Germany
|
Posted 20 Mar 2008 5:52 am
|
|
Hi Danny, this is what you find on the carter site:
Quote: |
A split allows you to have a combination tuning on strings which are both raised and lowered. For example, G# lower to F# with a knee lever can be split to G with the B pedal.
The tuning procedure for guitars equipped with tunable-splits is as follows:
Tune open tuning keys with the keys as usual.
Tune raises with the nylon nuts as usual.
When both the raise and lower function are engaged at the same time, the resultant note is tuned with the nylon nut that lowers the string. Turn clockwise to lower the note.
Finally, tune the lowered note alone with the respective Black raise nylon nut. |
|
|
|
|
Patrick Laffrat
From: Gemenos, France
|
Posted 20 Mar 2008 6:19 am
|
|
split tuning:
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
 |
|
|
|
Roger Crawford
From: Griffin, GA USA
|
Posted 20 Mar 2008 9:16 am
|
|
For guitars with splits tuned in the end of the neck:
Split Tuning Option
Guitars equipped with this option allow you to obtain a “combination or middle” note on strings that are raised a full tone and lowered a half tone, or vice-versa. The tuning procedure for each string that is affected is as follows:
Tune the string to its open-tuning pitch with the Tuning Keys as described in Basic Tuning.
Tune the “raise” note with the Nylon Nut as per the Basic Tuning procedure.
Engage both the “raise” and “lower” functions by pressing the proper pedal/knee lever combination at the same time.
Tune the “resultant/middle” note with the Nylon Nut that lowers the string, turning clockwise to flatten it or counter-clockwise to sharpen it.
With only the single pedal/knee levers that lowers the string engaged, tune the “lower” note with the Set Screw in the end of the neck, right side, behind the Changer Finger for that string. |
|
|
|
Bobby Boggs
From: Upstate SC.
|
Posted 20 Mar 2008 6:52 pm
|
|
Roger is by the book I think. But I tune the lowest note before I tune the middle note. I think it was Ron Lashely Sr. that suggested this. Maybe Jack Strayhorn. Not sure. Anyway, it works best for me on guitars with split tuners like Emmons.......bb
Edit. This may not work with the extra rod like Carter uses. |
|
|
|
Jim Palenscar
From: Oceanside, Calif, USA
|
Posted 21 Mar 2008 6:20 am
|
|
Another less commonly known benefit of a split option is to be able to tune the resultant lowers when there are 2 strings on a guitar that both utilize 1/2 stops- ie.- both B's to Bb and then A. It's difficult to get them both to drop to a Bb and then to an A note perfectly in pitch but the split screw allows for this to happen. I use it on the 10th string lower first getting the Bb in tune with the pull rod then using the split screw to bring the A note back up to pitch. This information is courtesy of Frank Carter.
Last edited by Jim Palenscar on 17 Apr 2008 6:54 am; edited 2 times in total |
|
|
|
Danny Hullihen
From: Harrison, Michigan
|
Posted 21 Mar 2008 7:53 am Split Tuning
|
|
Thanks guys! This is all excellent advice, and I appreciate the different methods described in accomplishing this. With some guitars being made different to accomplish this, (meaning those that actually have the capability) I can see how a different method would apply to accomplish this. |
|
|
|
Chuck Martin
From: Clifton, Virginia
|
Posted 15 Apr 2008 7:26 pm
|
|
I was having some trouble figuring out how to set-up a tunable split on the 6th string on my Sierra S-10 between my RKL (whole tone drop)and my B pedal (half step raise). I used the extra rod method so wonderfully diagrammed by Patrick and it worked like a charm. I already have the A pedal/VKL split on strings 5&10 so this latest addition gives me some additional chord options without having to move the bar. Thanks. |
|
|
|
Paddy Long
From: Christchurch, New Zealand
|
Posted 15 Apr 2008 8:24 pm
|
|
My Zums have splits on strings 5,6 and 10, and because I also have the franklin pedal I have both the set screw in the back of the bridge, and extra rods with the tuners coloured blue ... best of both designs I guess. My Hybrid guitar is set up the same as the standard one. |
|
|
|
Bobby Boggs
From: Upstate SC.
|
Posted 15 Apr 2008 8:43 pm
|
|
Paddy, thanks for sharing. But I fail to see the need for a rod tuner with your set-up on guitar with split tuners.Regards Bobby |
|
|
|
Joerg Schubert
From: Hagen, Germany
|
Posted 15 Apr 2008 11:51 pm
|
|
Hi Paddy ,
I perfectly understand the splits on strings 10 & 5.
But 6 - what kind of changes do you have on string 6? I know G#-A (P2), G#-B (Franklin LKV), G#-F# (Franklin Pedal 4). This makes only sense if you have the G#-F# on a lever not on pedal 4 or 0. Then you could use P2 and lever resulting in a G, otherwise you have to use P4 (or P0) with P2?
Joerg
P.S. I really like your snake skin seat, I got the tweed one from Dallas which fits very well to my Zum with rosewood-maple front. _________________ http://www.myspace.com/joergschubert
All steelies cons |
|
|
|
Jack Stoner
From: Kansas City, MO
|
Posted 16 Apr 2008 2:10 am
|
|
I tune the splits on my Franklin (I have extra stop screws installed for strings 5 and 6) like Bobby Boggs. But, I've found that it really doesn't matter it works the same both ways - tune the lower first or the split first. |
|
|
|
Bobby Boggs
From: Upstate SC.
|
Posted 16 Apr 2008 10:23 pm
|
|
Joerg, I read Paddy post to mean.Has the Franklin pedal.But he also has the changes 5,6 and 10 split-divided, on 2 knee levers. At least the 6th string. And he split tunes it with the B pedal.. |
|
|
|
Bo Borland
From: South Jersey -
|
Posted 17 Apr 2008 2:30 pm
|
|
I have a B-Bb lower on a knee and the pf pedal.
I can get the B to C# raises of course, and the B to Bb lowers , and the B to A lowers but I can't get all that and the split to C.
Any ideas? |
|
|
|
Paddy Long
From: Christchurch, New Zealand
|
Posted 17 Apr 2008 6:08 pm
|
|
Joerg, I have both the Franklin pedal and a separate knee lever lowering G# to F# ...with a split on the knee lever!
Bobby - spot on!
Actually the snake skin seat is very complimentary to the colour scheme on my new Hybrid Zum - they go together nicely!
Last edited by Paddy Long on 17 Apr 2008 6:19 pm; edited 1 time in total |
|
|
|
Paddy Long
From: Christchurch, New Zealand
|
Posted 17 Apr 2008 6:12 pm
|
|
Bo - on my Zums I need the extra rods to get the split on 5 and 10 --- as well as having the PF pedal. If you only have the screws in the back of the bridge, then one of the changes won't tune up properly! If you were to tune the Split "C" note first (using the screw) ...the screw wouldn't let the changer lower the B note down to A (PF pedal). |
|
|
|
Paddy Long
From: Christchurch, New Zealand
|
Posted 18 Apr 2008 4:58 pm
|
|
Here is a view of my setup -- !
Note that the screw in the 9th string changer is for the C# lower and the Red tuner is for the 2nd string half stop "D" note. The Blue tuners are the extra Split rods!
Also my standard changer Zum has the splits set up exactly the same as the new Hybrid - This is how Bruce does it for my setup. |
|
|
|
Bo Borland
From: South Jersey -
|
Posted 19 Apr 2008 12:56 am
|
|
Thanks Paddy, I was told that I cannot get the split to C on my steel. I have never actually seen where the extra rod would connect to make it podssible.
If I install the rod and hardware, do you think it would work? |
|
|
|
Paddy Long
From: Christchurch, New Zealand
|
Posted 20 Apr 2008 2:29 am
|
|
Bo - it shouldn't be a problem . The rod goes in the raise holes (closest to the top if poss).... and in the bell crank hole that is closest to the underside deck of the guitar. So if the guitar is upside down the rod would connect to the bottom hole in the bellcrank.
Good luck. |
|
|
|
Jacek Jakubek
From: Mississauga, Ontario, Canada
|
Posted 29 Sep 2008 3:47 am
|
|
Does it make a difference if the extra raise rod for the split is not at the very top hole of the changer finger (closest to the strings)?
My split rods are above the regular raise rods, but there are still two empty holes above them. Should I move these rods up to the very top holes? |
|
|
|
C Dixon
From: Duluth, GA USA
|
Posted 29 Sep 2008 4:44 am
|
|
Quote: |
Does it make a difference if the extra raise rod for the split is not at the very top hole of the changer finger (closest to the strings)? |
It makes no difference what hole the extra "split" rod is in.
Can you folks figure out how many splits there are on my new Excel Superb?
The first person who posts the right answer by October 10th, I will have b0bby Lee send you a set of E9th strings, at no cost to you.
Note: I use a combination of split "screws" and extra "raise" rods. This is necessary to achieve all the splits I want. Do you know why? You do NOT have to post the answer to this last question to win the strings.
c. _________________ A broken heart + † = a new heart. |
|
|
|
Jim Sliff
From: Lawndale California, USA
|
Posted 29 Sep 2008 4:59 am
|
|
Carl, I think it depends on the guitar. I have 4 splits on my B6-tuned GFI Ultra, and GFI was very specific about where those extra rods needed to go. They basically told me if the wrong hole is used it won't work properly. _________________ No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional |
|
|
|
C Dixon
From: Duluth, GA USA
|
Posted 29 Sep 2008 6:19 am
|
|
Jim,
I have all the respect in the world for Gene Fields of GFI. But for the life of me I cannot see it. So it is possible that the folks at GFI is correct. If so, I stand corrected. And I will apologize in advance.
But I sure would like for someone to explain to me why it should make a difference. The ONLY thing I can think of: it may make the tuning of the maximum "lower" more or less critical, but beyond that I can not see any difference.
Gene Fields is truly one of the pioneers of PSG's. And a very trusted and respected mechanical virtuoso. I may call him on this one. "Enquiring minds want to know."
I think I will call Bud Carter also on this one.
Thanks for your input Jim.
c. _________________ A broken heart + † = a new heart. |
|
|
|
Dave Mudgett
From: Central Pennsylvania and Gallatin, Tennessee
|
Posted 29 Sep 2008 11:50 am
|
|
[Edited to remove my very confusing and lysdexic earlier explanation. Listen to Earnest here, he has it correct.]
Carl, I can see lots of possibilities for splits on your copedent. It'll take a while to sort them out. On the need for both split tuning screw and split tuning rods, the only reason I can imagine one would need to do this would be to put more than one split on a string.
Last edited by Dave Mudgett on 29 Sep 2008 3:04 pm; edited 1 time in total |
|
|
|
Earnest Bovine
From: Los Angeles CA USA
|
Posted 29 Sep 2008 1:46 pm
|
|
Jacek Jakubek wrote: |
Does it make a difference if the extra raise rod for the split is not at the very top hole of the changer finger (closest to the strings)?
|
If the "extra" rod pulls very fast, you would feel a bump. Not good, but it would still work.
So slow it down (move further from the changer axle, and at the other end pull closer to the cross shaft axle) but not too much because:
If the extra rod pulls too slowly, it might kick in before the half stop, and in that case you wouldn't be able to tune all 3 notes. |
|
|
|