Nylon-Strung Hawaiian Guitar
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- Alan Brookes
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Nylon-Strung Hawaiian Guitar
Am I the only one who from time to time plays a nylon-strung acoustic lap steel ?
I keep a standard classical guitar with the action heightened and the tuners turned round. I don't use it all the time; most of my playing is on steel-strung instruments; but I find there are times that the mellow sound of nylon strings is just what is needed.
Am I alone ?
Last edited by Alan Brookes on 4 Dec 2013 1:09 pm, edited 1 time in total.
- Richard Sevigny
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- Alan Brookes
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- Alan Brookes
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I've been playing my nylon-strung classical guitar with raised nut and reversed tuners quite a lot lately. I currently have it tuned (low-to-high) A B D F# B D, which is B7/D6.
If I'm playing with nylon strings with a ceramic bar, can it still be called a "steel guitar"?
There's nothing about it that's steel. The only metal on the instrument is the silver-plated brass on the machine head frame.
If I'm playing with nylon strings with a ceramic bar, can it still be called a "steel guitar"?
There's nothing about it that's steel. The only metal on the instrument is the silver-plated brass on the machine head frame.
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- Roy Thomson
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Alan,
Are you familiar with Blackbird Guitars?
They're made right in SF. Carbon fiber with this cool hollow neck.
I have the Lucky 13 model and been experimenting with a metal piece for a raised nut. Using regular phos/bronze strings. --Has a real strong clean tone, not muted or woody. Been talking to them about making a square-neck version setup for C6th. I think it would be a "missing link" in the acoustic lap world.
The hollow neck give this interesting echo and decay, prolongs the sustain. Quite a nice guitar, not affected by weather.
Are you familiar with Blackbird Guitars?
They're made right in SF. Carbon fiber with this cool hollow neck.
I have the Lucky 13 model and been experimenting with a metal piece for a raised nut. Using regular phos/bronze strings. --Has a real strong clean tone, not muted or woody. Been talking to them about making a square-neck version setup for C6th. I think it would be a "missing link" in the acoustic lap world.
The hollow neck give this interesting echo and decay, prolongs the sustain. Quite a nice guitar, not affected by weather.
- Alan Brookes
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Ron Ellison wrote:...The hollow neck give this interesting echo and decay, prolongs the sustain...
I haven't heard of Blackbird Guitars, but if they're in Northern California I probably know the luthiers there. I've been building musical instruments for over 50 years, and I was one of the organizers of the Northern California Association of Luthiers. Talking about sustain and internal echo, here is an instrument that I designed for Hawaiian work a few years ago. The body is much deeper than a regular guitar and the bridge is close to the heel, with the internal braces arranged accordingly. It has all sorts of internal vibrations going on which add to the tone. The strings on this one are steel, though.
By the way, the fingerboard is fixed to the neck, and, although protruding over the soundboard, only touches the soundboard through a piece of felt at the end. This is to allow the soundboard to vibrate freely, which it does. There are also small felt patches on the back so that you can play the instrument on a table or a stand, without dampening the vibration of the back. If you watch a classical guitarist play, you will see that he always holds the guitar slightly away from his body. Most people don't realise that holding any sort of acoustic, stringed instrument, tightly against the body deadens the sound.
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Hello Alan.
I only check in here now & then. Just read your post.
I have the same set-up as you: Classical guitar with nylon strings, & raised action for playing steel.
I have it tuned open G, D G D G B D.
Mostly I play baritone ukulele these days, but every few days I pick up my old guitar & play a bit of steel.
I thought I was one of a kind. Interesting to hear there are other nylon steelers out there.
Regards, Chris.
I only check in here now & then. Just read your post.
I have the same set-up as you: Classical guitar with nylon strings, & raised action for playing steel.
I have it tuned open G, D G D G B D.
Mostly I play baritone ukulele these days, but every few days I pick up my old guitar & play a bit of steel.
I thought I was one of a kind. Interesting to hear there are other nylon steelers out there.
Regards, Chris.
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Roy, I played mine with C6 tuning for a while by buying 2 extra strings & throwing away the 2 thickest ones.Roy Thomson wrote:
It has crossed my mind a number of times to do that but felt it would be hard to find the correct classical string gauges to accommodate the tunings?
Roy
2 'D' strings: 1 tuned to 'C'; another tuned to 'E'.
2 'G' strings: 1 tuned to 'G'; another tuned to 'A'.
The 'B' string tuned to 'C'; the 'E' string tuned to 'E'. And there you go ... C E G A C E tuning.
I did something similar with Leavitt tuning.
Nylon strings will tune to a range of tones; but if you mess around with them too much they will break. They prefer to stay on a set tone without too much change.
Chris.
I had a female student in one of my classes at Berklee studying guitar but she always brought this odd shaped gig bag with her. I asked her what was in it and she said a harp. I asked her to take it out to show the class and it was a very small, maybe 4 feet tall, standard looking harp. She gave us a small demo on it and I said, "wait a minute" and grabbed my steel bar. It was a pretty cool sound when I laid it on its side and played it like a 50 string lap steel!!!!
- Alan Brookes
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