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Tom Cooper

 

From:
Orlando, Fl
Post  Posted 2 Jun 2008 10:17 am    
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I want to replace the tone pots on an old Gibson Consolette. The guitar has been refinished and not all original anyway, want that boo-wah sound. Doesn't have it. Does anyone know what kind of pot I should get and where to buy? Thank you. TC
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Ray Montee


From:
Portland, Oregon (deceased)
Post  Posted 2 Jun 2008 1:58 pm     tone controls..................
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I know less about this technical electronic stuff than most here on the Forum...........but

JERRY BYRD used 500 Meg, audio taper for his guitar tone control.

JERRY BYRD used a Type A-B, Audio Taper 0.25 Meg pot for his foot pedal.

Hope this might of some help.
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John Bechtel


From:
Nashville, Tennessee, R.I.P.
Post  Posted 2 Jun 2008 9:30 pm    
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If you want the Fender-Type quick tone-change, try a 1 Meg Linear-Taper Pot. with an .05 cap. (or .047). [Cap. available from Radio Shack.] This is what Fender used in their Dual~Pro and T–8 Customs: Volume = 250K Audio
Tone = 1Meg. Linear w/.05 cap.
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Last edited by John Bechtel on 13 Jan 2009 10:17 pm; edited 1 time in total
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Tom Cooper

 

From:
Orlando, Fl
Post  Posted 3 Jun 2008 4:33 pm    
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Thanks! Went to RS and got the pot.(entiometer). Will install when electronics buddy gets over with solder gun. I should be boo-wahing in no time!
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Ray Montee


From:
Portland, Oregon (deceased)
Post  Posted 10 Jun 2008 3:26 pm     On top of YOUR Knobs................
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For those who might care, eBay has two olde authentic Bakelite knobs with the arrows on them.
Just what you need to make your Rick COMPLETE!

I found it in the steel guitar section.
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Tobie Schalkwyk

 

From:
South Africa
Post  Posted 10 Jun 2008 9:34 pm    
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Quote:
JERRY BYRD used 500 Meg

Just double-checking, Ray - shouldn't this be 500K?
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Ray Montee


From:
Portland, Oregon (deceased)
Post  Posted 11 Jun 2008 7:08 am     Hummmmmmmmmmm?
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You know, you could be right..........

I'll take your word for it. Look guys, I'm very old now and you could cut me some slack. At least, that's what AARP says.
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Steve Norman


From:
Seattle Washington, USA
Post  Posted 11 Jan 2009 1:42 pm    
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how did it work Tom? I want a boowah effect on my rig and am looking for the pot/capacitor combo to use.
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Tom Cooper

 

From:
Orlando, Fl
Post  Posted 11 Jan 2009 2:21 pm     tone pots
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Hey Steve! Yeah, I took my steel to a long time local guitar repair shop. I'm not ready to solder stuff just yet.At first I had a time explaining just what a "boo wah" effect was. They are old 60's rockers not really into old country and western swing. But after a while they explained in technical terms the reason certain tone pots do this. If I remember right you'll want a 500k pot with sharp throw or cutoff instead of gradual. I may have it backwards. If you want I'll call them tomorrow if someone doesn't chime in and correct me. If you take it somewhere you trust, they should know the type of pot you need. My guys nailed it and now I can boo-wah all day! I would be lost without my D-8. I play it out much more than my pedal rig. Just so practical to take around, works better with the kinds of band I play in anyway. I only play pedal in one group. I am still very much a steel guitar intern. Never had so much fun, or been in so much demand! I play in local original type groups, no big pay gigs. For me a lot more fun playing music you want to play, vs music you have to play. Thank God for the forum and the Steel guitar!
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Steve Norman


From:
Seattle Washington, USA
Post  Posted 11 Jan 2009 9:28 pm    
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Thanks Tom! If you dont mind calling him I would appreciate it, but you may be able to just look underneath at the pot and see the markings on the back of it. If you end up calling the guy ask him about the capacitor as well. I would imagine a quick taper would be better like you said. Audio taper I believe is slow on at first, then increases in a curved line. I think for boowah a linear taper would be best (my guess). Do you like the effect you have been getting with it? I want to build a little switch box that will let me add it in the chain just for the songs I need. Thanks again!
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Tom Pettingill


From:
California, USA (deceased)
Post  Posted 12 Jan 2009 5:58 am    
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Steve, you are correct in that a linear taper (B) pot will have a faster fall off to the human ear.
Audio taper compensates to follow what our hearing perceives as output levels.
On pot values, the lower the resistance, the less high frequencies are let through. For instance, a 500k will start brighter than a 250k pot.
For caps, the higher the cap value, the more high frequency is bled to ground. For example, a .022uf cap is brighter than a .047uf cap.

If you are building an external box, you may have to experiment a bit to find what you like best and interacts well with the onboard guitar electronics.
A place like http://www.effectsconnection.com will have just about anything you need including a project box to house it.
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Steve Norman


From:
Seattle Washington, USA
Post  Posted 13 Jan 2009 2:06 pm    
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Thats a great link Tom,,thanks! hope to get it in the works soon.
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Tom Cooper

 

From:
Orlando, Fl
Post  Posted 13 Jan 2009 2:28 pm     tone pots
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Hey Steve. Couldnt log on yesterday. Sounds like you got it worked out I hope. Let us know how it went. TC
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