I have an old Oscar Schmidt semi hollow body guitar OE30.I want to use the Leavitt tuning and thought the guitar would add to the jazz sound.
I'll put on a riser nut and wondered if the c6 strings for sale from the forum would be alright to use?
So, will the C6 strings be okay for the guitar
and is the C6 strings the ones to use for Leavitt tuning?
Thanks for your help!
Dave
Semi hollow body converted to lap steel/Leavitt tuning?
Moderator: Brad Bechtel
- Therman Jones
- Posts: 65
- Joined: 20 Sep 2007 11:58 am
- Location: Stillwater, OK USA
- Contact:
Hi Dave,
The C6 is probably closest to the Leavitt tuning, but Basil brings up a valid point...the string sets would be designed for a scale length of 22" - 24" while your guitar is probably 25" to 25 1/2". To be on the safe side you should consider a lighter set...you might email bOb and see if he can put a set together for you.
If you are like me and already had a set of C6 strings in hand, I'd slap'em on and start playing. The first string should be ok as it only tunes to D and the others probably will do. Just watch the neck for any strain...bowing, etc. If you notice any issues then go to a lighter set.
The important thing is to get playing and enjoy the possibilities of the Leavitt tuning. If you are looking for instructional help, Mike Ihde's course is the place to start, along with the courses by Roy Thomson. For inspiration, look up the songs posted here on the forum by Bill Hatcher.
If you like the old jazz standards and the 'cool chords' you will love the Leavitt tuning.
Therman 'Ukuleleo' Jones
The C6 is probably closest to the Leavitt tuning, but Basil brings up a valid point...the string sets would be designed for a scale length of 22" - 24" while your guitar is probably 25" to 25 1/2". To be on the safe side you should consider a lighter set...you might email bOb and see if he can put a set together for you.
If you are like me and already had a set of C6 strings in hand, I'd slap'em on and start playing. The first string should be ok as it only tunes to D and the others probably will do. Just watch the neck for any strain...bowing, etc. If you notice any issues then go to a lighter set.
The important thing is to get playing and enjoy the possibilities of the Leavitt tuning. If you are looking for instructional help, Mike Ihde's course is the place to start, along with the courses by Roy Thomson. For inspiration, look up the songs posted here on the forum by Bill Hatcher.
If you like the old jazz standards and the 'cool chords' you will love the Leavitt tuning.
Therman 'Ukuleleo' Jones
Customized 8 string Artisan lap steel....it will have to do until I hit the lottery...
- Alan Brookes
- Posts: 13218
- Joined: 29 Mar 2006 1:01 am
- Location: Brummy living in Southern California
Thanks!
Basilh- I'll go with lighter strings. I didn't think of the difference in scale length.
Therman- I bought Mike's book based on your enthusiasm over the Leavit tuning. Thanks also for information on the Bill Hatcher songs.
Alan, I'll look into B6 if the Leavitt tuning doesn't work out.
I thought about getting a $79 Artisan for the Leavitt tuning if the semi hollow body doesn't work out. Since you don't use slants would it be an advantage to use a short scale in Leavitt tuning?
Has anyone used Leavitt on a short scale lap?
Basilh- I'll go with lighter strings. I didn't think of the difference in scale length.
Therman- I bought Mike's book based on your enthusiasm over the Leavit tuning. Thanks also for information on the Bill Hatcher songs.
Alan, I'll look into B6 if the Leavitt tuning doesn't work out.
I thought about getting a $79 Artisan for the Leavitt tuning if the semi hollow body doesn't work out. Since you don't use slants would it be an advantage to use a short scale in Leavitt tuning?
Has anyone used Leavitt on a short scale lap?
-
- Posts: 1081
- Joined: 20 Jul 2004 12:01 am
- Location: Silver Spring, Maryland, USA
Dave, I think the implication of Alan's suggestion about tuning to B6 (and he can correct me if I'm reading him wrong) is that the C6 string set would work best on your long-scale guitar if you tuned it a half-step down to B6, OR in the case of the Leavitt tuning, tune a half-step down to:
C#
B
A
F#
D#
C
Leavitt tablature would still work fine, of course-- but any recorded instructional material might need to be pitch corrected.
C#
B
A
F#
D#
C
Leavitt tablature would still work fine, of course-- but any recorded instructional material might need to be pitch corrected.
-
- Posts: 1081
- Joined: 20 Jul 2004 12:01 am
- Location: Silver Spring, Maryland, USA
Dave, you're welcome. Just wanted to be clear that the tuning I spelled out above is not B6, but the Leavitt tuning dropped down a half step. B6 is:
D#
B
G#
F#
D#
B
These two tunings are close enough that, if you want, you should be able to re-tune from one to the other without any trouble, with the C6 string set mentioned before.
Of course, if you want to take advantage of recorded Leavitt and/or C6 instruction, it might be simpler to make a Leavitt/C6 string set out of individual strings, using slightly lighter gauges as Basil suggested, for use with the original Leavitt tuning-- and/or C6-- as he spelled them out. Good luck!
D#
B
G#
F#
D#
B
These two tunings are close enough that, if you want, you should be able to re-tune from one to the other without any trouble, with the C6 string set mentioned before.
Of course, if you want to take advantage of recorded Leavitt and/or C6 instruction, it might be simpler to make a Leavitt/C6 string set out of individual strings, using slightly lighter gauges as Basil suggested, for use with the original Leavitt tuning-- and/or C6-- as he spelled them out. Good luck!