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Topic: Anybody raise and lower E's on Right leg? |
Jory Simmons
From: Elkhorn, Wisconsin, USA
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Posted 7 Apr 2008 11:27 am
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I lower My E's RKR and Raise E's RKL. Just Curious Who else does this???? _________________ Jory Simmons |
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Chuck S. Lettes
From: Denver, Colorado
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Posted 7 Apr 2008 11:45 am
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Hi Jory,
I also use the right knee for those changes. Small world!
Chuck |
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Chuck S. Lettes
From: Denver, Colorado
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Posted 7 Apr 2008 11:47 am
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Hi Jory,
I also use the right knee for those changes. Small world!
Chuck |
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chris ivey
From: california (deceased)
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Posted 7 Apr 2008 11:53 am
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rkl..e-eb rkr..e-f# lkr..e-f |
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Bill Hankey
From: Pittsfield, MA, USA
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Posted 7 Apr 2008 12:02 pm
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A friend said it's a Sho-Bud "thing".  |
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Don Sulesky
From: Citrus County, FL, Orig. from MA & NH
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Posted 7 Apr 2008 12:15 pm
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My 1st steel was a ShoBud and it was set up lower, RKL and raise, LKL and I never changed. When I bought my new Emmons LeGrande II I had it set up that way also. Never felt the need to change. |
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Jory Simmons
From: Elkhorn, Wisconsin, USA
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Posted 7 Apr 2008 12:38 pm The reason I asked.....
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My first PSG teacher played a Black Mica MSA S10 with 4 and 5. He lowered the E's RKR and Raised em RKL. When I bought my first PSG it was a Birdseye Maple, rootbeer Lacquer MSA S10 3&4, Brand new in a music store in Roselle Il....set up the same way from the Factory. Maybe back then (1976) MSA set them up this way? Or maybe somebody ordered this steel and never actually bought it.
So Thats how I learned to play..... _________________ Jory Simmons |
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Billy Wilson
From: El Cerrito, California, USA
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Posted 7 Apr 2008 12:45 pm
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I have mine that way. On C6th neck I raise and lower the root 1/2 step also with the right side levers. |
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Jim Hankins
From: Yuba City, California, USA
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Posted 7 Apr 2008 1:53 pm
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Yes I do, on my Carter U12. |
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Bo Borland
From: South Jersey -
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Posted 7 Apr 2008 2:01 pm
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The E changes were on my first PSG, saw no good reason to change after all these years. While I can play the Emmons knee set up, when under the gun, I always reach for the wrong knee. |
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Bill Simmons
From: Keller, Texas/Birmingham, AL, R.I.P.
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Posted 7 Apr 2008 2:21 pm Count me in
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Besides having a great last name like mine, I've always had my "E'S" on the right knee lever just like you have then set...
Bill Simmons |
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Terry Wood
From: Lebanon, MO
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Posted 7 Apr 2008 2:36 pm
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Jory,
Well, I lower mine RKL but raise on LKL. When I sit down at a steel that has LKR lowers it messes with my mind. If I were starting all over I do think that I would do the lower on LKR. It makes sense to me withthe B pedal but now I have played this way so long, why change it now. This is a great question.
Terry Wood |
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Pit Lenz
From: Cologne, Germany
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Posted 7 Apr 2008 2:37 pm
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my E´s are RK, too: I re-rodded my newly purchased (used) U-12 according to Bud Carter´s standard Uni-copedent:
RKL: E»F , RKR: E»Eb.
My former student model had the E changes also on right knee,but in the opposite direction.
Getting used to the swap is ok when you practice on your own, but it´s like driving in the UK when you play with the band:
delivered me quite some surprise chord movements...  |
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Al Anderson
From: Wisconsin, USA
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Posted 7 Apr 2008 2:48 pm
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Jory
What ever you,re doing,Keep doing it. You sounded
great at the Dairyland jam.
Al Anderson |
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Darvin Willhoite
From: Roxton, Tx. USA
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Posted 7 Apr 2008 2:58 pm
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I lower mine with the RKR, but I raise them with the LKR. I didn't raise the E's to F until I had been playing for about 10 or 12 years, and my old Clark steel had three knee levers and was so hard to change setups on, it was easiest to make a new lever and put it in the LKR position. It worked for me, so I left it that way. _________________ Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro. |
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John Roche
From: England
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Posted 7 Apr 2008 3:01 pm
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it makes more sense to have them on the same knee. |
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Mark Wayne
From: Wisconsin, USA
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Posted 7 Apr 2008 3:06 pm
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Yea, Jory... You sounded great  _________________ Mark Wayne Krutke
****markwayne.biz**** |
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Jim Robbins
From: Ontario, Canada
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Posted 7 Apr 2008 3:36 pm
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Jory, I have mine set up like yours - it's a Sho-Bud so maybe it's that Sho-Bud thing Bill Hankey's friend mentioned.
My first steel as I recall had the E lower on the LKR and I like it on RKR much better since I use it in conjunction with the pedals quite a bit. |
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George Kimery
From: Limestone, TN, USA
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Posted 7 Apr 2008 3:55 pm Does anybody Lower the E's with the right knee
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My first two guitars lowered the E's RKL and raised them, LKL. I played this way for 30 plus years. My current Emmons 12 string E-9 came set up with the E's lowering LKR and the raises, LKL. I liked the lowers and the raises on different knees for one simple reason: I can go smoother from the lowers to the raises with two different knees. I don't care for the slight time lapse of getting my left knee from one side of the left knee lever to the other side to make the lowering to raising change. There is just a pause there that bugs me. With the changes on different knees, there is no time lag. |
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Peter Freiberger
From: California, USA
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Posted 7 Apr 2008 4:38 pm
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I also raise E/F on RKL and lower E/D# on RKR. I lower strings 2 D#/D/C# and 9 D/C# on LKR and raise 1 F#/G and 7 F#/G/G# on LKL. Putting the E changes on the same knee gives you more combinations and works well on a P/P because the raise lever tends to follow the lowering lever unless you build in a lot of slack.
Not that I'm doing much with C6, but I have tried to set it up to function similarly to my E9. I raise string 3 C/C# on RKL (and lower string 9 F/E) and lower string 3 C/B on RKR. I raise string 4 A/Bb/B on my LKR, sort of like my E9 second string, and raise string 1 D/Eb with LKL (along with the "boo-wah" C/A on 10 and raising the 7th C/C#. I think I've got the usual pedal 8 functions covered on my knees so I don't have to play two footed, although I'd like to be able to lower my A's to Ab. Maybe on a VKL someday? |
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Alan Kendall
From: Maury County Tennessee
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Posted 7 Apr 2008 5:00 pm
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There was a terrific thread a few years ago about exactly the same subject. Buddy Emmons and Paul Franklin had a really interesting discusion about the pros and cons of both E's on one knee or seperate knee's.
Well worth checking out. |
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Dave Mudgett
From: Central Pennsylvania and Gallatin, Tennessee
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Brad Issendorf
From: Lake City, Minnesota
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Posted 7 Apr 2008 8:50 pm
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I raise and lower my Es on my right knee also. I learned to play on a 1975 MSA Classic that was set up this way, so yes I beleive that it was an MSA thing. To carry on the tradition, my new MSA was set up this way too. |
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Ernest Cawby
From: Lake City, Florida, USA, R.I.P.
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Posted 7 Apr 2008 11:06 pm where
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To have the E lower on the right knee left makes the a pedal and the E lower easier Buddy uses this on his tabs with my stiff ankle it is hard I have to take my foot off and move over to get this move. if it were back like shobud on the RKL it would be easy, I changed cause I thought most guitars were set up this way, if someone wanted to play my steel it would be eaiser to use. Wish I had it back.
ernie |
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Lowell Whitney
From: Waynoka, Oklahoma, USA
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Posted 8 Apr 2008 8:50 am
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My Dekley was set up with the RKR lowering the Es to Eb. My trouble was every time I used it I would inadvertantly back off the volume pedal. So, after some coaching from Jim Smith, I got my nerve up one day and entered the "belly of the beast" and swapped the RKR and LKR. Much better. My RKL has a half-stop which lowers the 2nd string which I use sometimes. LKL raises the Es, and I'm still trying to figure out what to do now with the RKR.
Lowell _________________ Carter SD10
70's Telecaster
Nashville 400/Express 112/Artist VT Bandit |
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