New Contest involving Millenium and Fessenden!
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- Roger Rettig
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I think we're learning that Jim likes a certain steel guitar sound, so he makes whatever adjustments are necessary to get that sound in the studio. Seven of those tracks were played on a Fessenden, but none of them sound at all like Robert Randolph. My Williams doesn't sound very much like Jim's guitars to my ears*, but on some of my recordings even I don't know whether I was playing a Williams or my old Sierra. I have no doubt that, if Jim played it, he could make it sound just like his Fessy, Milly, or whatever.
*If it did, I'd sell it.
*If it did, I'd sell it.
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- Roger Rettig
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This sounds like rather familiar ground, doesn't it?
I have lots of old recordings that I played on - listening now, I'd have to look in my old desk-diaries, see when the session took place, and that would tell me if it was my ZB, my Sho-Bud or an Emmons.
I do hope, however, that Jim will sell lots of CDs as a result of the thread....
I have lots of old recordings that I played on - listening now, I'd have to look in my old desk-diaries, see when the session took place, and that would tell me if it was my ZB, my Sho-Bud or an Emmons.
I do hope, however, that Jim will sell lots of CDs as a result of the thread....
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Per Berner
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Yes, sir. We are. What a great way to promote your CD! One has to have purchased the CD to listen to the tracks and listen them over and over. Songs get in your head and stick there. You tell others. They buy the CD. Greatest promo trick I seen in a long time. AND FUN!! I gotta hand it to you Jim..your a great PR guy. Kudos!(and a great musician too!I love your steel playin' no matter what you play it on.)Jim Cohen wrote:Are we learning anything here, class?
Are ya going to be selling the CDs at the big Ohio Show in New Phily? All this hype, I might like to have one.
Thanks, Tamara. But just for the record (no pun intended), let me point out that one does not have to buy the CD to play the game. There are free sound clips at my website that anyone can listen to. (Of course, if you like what you hear, we can find a way to put one into your personal CD collection... )
Alas, as of now I have no plans to be in 'New' Philadelphia for the show, but rather expect to be in 'Old' Philadelphia that day.
Alas, as of now I have no plans to be in 'New' Philadelphia for the show, but rather expect to be in 'Old' Philadelphia that day.
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Last edited by Joseph Meditz on 25 Mar 2008 3:21 pm, edited 1 time in total.
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- Joseph Meditz
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Colm Chomicky wrote,
Exactly 3 right: 0.0083
Exactly 2 right: 0.175
Exactly 1 right: 0.525
If I did this correctly, it means that the odds of getting 1, 2, or 3 right is 0.708 which means that about 3/4 of the folks who played this game will be winners and walk away with a little stuffed animal.
Joe
That's what I got. In summary:In terms of the odds of randomly guessing 3 out of 10 would that be 3/10 x 2/9 x 1/8 = 1/120 odds?
Exactly 3 right: 0.0083
Exactly 2 right: 0.175
Exactly 1 right: 0.525
If I did this correctly, it means that the odds of getting 1, 2, or 3 right is 0.708 which means that about 3/4 of the folks who played this game will be winners and walk away with a little stuffed animal.
Joe
Nice try, guys, but you gotta get ALL THREE right to win! Keep guessin'!
Oh, and by the way, I might mention that, on track 3, we goosed up the treble to get that sound, and would have had to do so on either guitar. So don't pick it just because it's the most different sounding from the others. It was bound to be different sounding, regardless of guitar brand used.
Now get back to work... and keep your eyes on your OWN PAPERS!
Oh, and by the way, I might mention that, on track 3, we goosed up the treble to get that sound, and would have had to do so on either guitar. So don't pick it just because it's the most different sounding from the others. It was bound to be different sounding, regardless of guitar brand used.
Now get back to work... and keep your eyes on your OWN PAPERS!
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JIM its a crying shame you play with all the knobs to try and get as close to the same sound on both guitars as you possibly can then expect someone to second guess you and all the knobs there would be no way under the sun to do that. You are the cheater in this case, when someone does guess and get it,then it truely is a guess because no one can hear the correct guitar with you playing with the knobs sorry i even tried, This isn't a challenge it is a guessing game for ANYONE
TOMMY YOUNG
max-tone modifications
TOMMY YOUNG
max-tone modifications
I'm having a good laugh over this thread since a couple of weeks ago after receiving Jim's CD, I told him how much I enjoyed it, and asked him what steel(s) he used on the recording, and he told me he used the MSA and the Fessenden but asked me to see if I could tell which songs used the MSA, and on which he used the Fessenden (He did tell me that only three tunes used the MSA). I only ventured a single guess on one song but I got it right. Jim then told me which songs used which steels so I know the answer but I ain't sayin.
Tommy, my first objective, of course, was to make a record! I'm not in the business of trying to provide A/B comparisons of guitars with all the amps and knobs left exactly in the same place. I'm trying to make a record!
Now, b0b made a good point: there's a certain sound that I go for, in my head. I think of it as 'my sound' or just 'yup, that's what I like to hear'. When I make a recording, you can bet that's what I'm gonna try to sound like, whatever guitar I'm using.
So, Tommy, this is just a good lesson for folks who think that guitar 'A' can't possibly sound like guitar 'B'. I think the evidence to the contrary, at least with these two guitars and this one player, overwhelmingly disputes that idea. I'll also add that it really didn't take much knob-tweaking to get it where I like it. Now, if I had been using a MultiKord or Fender 1000, that might have been a tougher challenge to get 'my sound' out of. But between the lacquer-body Fessy and the carbon-fiber body Milly: 'piece-a-cake'...
Now, b0b made a good point: there's a certain sound that I go for, in my head. I think of it as 'my sound' or just 'yup, that's what I like to hear'. When I make a recording, you can bet that's what I'm gonna try to sound like, whatever guitar I'm using.
So, Tommy, this is just a good lesson for folks who think that guitar 'A' can't possibly sound like guitar 'B'. I think the evidence to the contrary, at least with these two guitars and this one player, overwhelmingly disputes that idea. I'll also add that it really didn't take much knob-tweaking to get it where I like it. Now, if I had been using a MultiKord or Fender 1000, that might have been a tougher challenge to get 'my sound' out of. But between the lacquer-body Fessy and the carbon-fiber body Milly: 'piece-a-cake'...
Last edited by Jim Cohen on 25 Mar 2008 8:04 pm, edited 1 time in total.
- Roger Rettig
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- Jerry Roller
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OK, I have been playing along so Jim could get some mileage out of this shameless promotion but Chris has made it kinda personal so I am going to go ahead and end it right here. The MSA Millineum was used on songs 1, 2 and 4. I have no way of knowing if it is actually Jim doing the playing but whoever it is he is acceptably good! I love the CD and I impatiently await the announcement that I will be receiving it.
Jerry
Jerry