Chords for Night Life Intro
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- Larry Strawn
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Chords for Night Life Intro
I've been playing this wrong for a lot of years, thought I'd learn to play it right.
Will some one please post the chords for the intro for me?
Thanks
Larry
Will some one please post the chords for the intro for me?
Thanks
Larry
Carter SD/10, 4&5 Hilton Pedal, Peavey Sessions 400, Peavey Renown 400, Home Grown Eff/Rack
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- John Roche
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Code: Select all
Instrumental Intro
D Bm Emaj7 A A7 D
D Bm
1. When the evenin' sun goes down
G F
You will find me hangin' 'round
D Bm Emaj7 A A7
The night life ain't no good life
D Bm Emaj7 A7
But it's my life!
2. Many people just like me,
Dreamin' of old used-to-be.
The night life ain't no good life,
But it's my life!
Bridge:
D D7
Listen to the blues, they're playin'
G7 A7 D7 Emaj7 A A7
Listen to what the blues are sayin'
3. Mine is just another scene,
From the world of broken dreams.
The night life ain't no good life,
But it's my life!
Instrumental break
Repeat 3.
Tag:
D Bm Emaj7 A7
Oh, the night life ain't no good life,
A7 D G A7 D
But its my ---------- life!
____
- Larry Strawn
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John,
Thanks for the response, but I'm having trouble here.
The progression you posted is what I'm playing except in the key of G.
G/Em/AM7/D/D7/G, but it has never sounded right.
Hmmmm back to the woodshed!
Larry
Thanks for the response, but I'm having trouble here.
The progression you posted is what I'm playing except in the key of G.
G/Em/AM7/D/D7/G, but it has never sounded right.
Hmmmm back to the woodshed!
Larry
Carter SD/10, 4&5 Hilton Pedal, Peavey Sessions 400, Peavey Renown 400, Home Grown Eff/Rack
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- Michael Douchette
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In numbers, the intro is 1 3b 5#maj7 5
So, in G, it's G Bb Ebmaj7 D7...
That up 'er on 'em lyrics just ain't right!
So, in G, it's G Bb Ebmaj7 D7...
That up 'er on 'em lyrics just ain't right!
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
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- Michael Douchette
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Oh... so it's a 1# aug 11 sub for a 5... cool...
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
- Bo Borland
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I play 1 b313 5#maj7 1#aug11 (or 1# b9b5)
A C13 Fmaj7 Eaug11 B in the bass
it's a old blues turn around I used to use for the tune "Sunny"
A C13 Fmaj7 Eaug11 B in the bass
it's a old blues turn around I used to use for the tune "Sunny"
Last edited by Bo Borland on 16 Feb 2010 2:36 pm, edited 1 time in total.
- Larry Strawn
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The more I try the worse it sounds!
But I haven't given up guys, thanks for the help!
I'll be checkin back!
Larry
I'll be checkin back!
Larry
Carter SD/10, 4&5 Hilton Pedal, Peavey Sessions 400, Peavey Renown 400, Home Grown Eff/Rack
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- Greg Cutshaw
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I have it tabbed out here. The first chord can be an F#m7 or just a D major.
Night Life, 8th tab down
Greg
Night Life, 8th tab down
Greg
- Larry Strawn
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Night Life tab
Dang Greg,
I must be having computer problems to, I can't get your link to work.
Larry
I must be having computer problems to, I can't get your link to work.
Larry
Carter SD/10, 4&5 Hilton Pedal, Peavey Sessions 400, Peavey Renown 400, Home Grown Eff/Rack
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- Greg Cutshaw
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- Larry Strawn
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- Michael Douchette
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Larry... try this... I don't get tab, but... if it's gotta be in G...
Go from 10th fret, 5,6,8,10 with AB...
to fret 13,14,15 coming off AB and drop the 8 string...
pick sixth string, engaging B and head back to 13th fret with AB, let the 8 string come back up, 5,6,8,10...
come off A to play strings 6 then 5, and grab 9,7,6,5, still at 13th fret...
then go back to 10th fret, no pedals, 9,6,4...
That should give you a good enough E9 approximation...
Go from 10th fret, 5,6,8,10 with AB...
to fret 13,14,15 coming off AB and drop the 8 string...
pick sixth string, engaging B and head back to 13th fret with AB, let the 8 string come back up, 5,6,8,10...
come off A to play strings 6 then 5, and grab 9,7,6,5, still at 13th fret...
then go back to 10th fret, no pedals, 9,6,4...
That should give you a good enough E9 approximation...
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
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For heaven's sake.....
Donny's chords from Buddy are correct.
This intro/turnaround first appeared written by Tad Dameron for his tune "Ladybird". All the jazz guys know it as the "Ladybird intro". It also appears in the piano intro to Charlie Parker's "Parker's Mood".
On E9, this is about as close as you're going to get to Buddy's original chords:
[tab]
DM7 F9 BbM7 Eb7#11 DM9
1—0~0R-------------|-----------|-----------|------|-0---
2------------------|-----------|--------4--|----4-|-----
3-------0B---------|-----------|-----------|------|-----
4-------0----------|-6L--------|-----------|-4R---|-0---
5-----------5A~6A--|--------8--|--8A—4A----|------|-0A--
6------------------|-6B—-8B----|--8B-------|-4B---|-0B--
7-------0----------|-----------|-----------|------|-0---
8------------------|-----------|-----------|------|-0---
9------------------|-----------|--8--------|------|-0---
10-----------------|-6---------|-----------|-4----|-----
[/tab]
-John
Donny's chords from Buddy are correct.
This intro/turnaround first appeared written by Tad Dameron for his tune "Ladybird". All the jazz guys know it as the "Ladybird intro". It also appears in the piano intro to Charlie Parker's "Parker's Mood".
On E9, this is about as close as you're going to get to Buddy's original chords:
[tab]
DM7 F9 BbM7 Eb7#11 DM9
1—0~0R-------------|-----------|-----------|------|-0---
2------------------|-----------|--------4--|----4-|-----
3-------0B---------|-----------|-----------|------|-----
4-------0----------|-6L--------|-----------|-4R---|-0---
5-----------5A~6A--|--------8--|--8A—4A----|------|-0A--
6------------------|-6B—-8B----|--8B-------|-4B---|-0B--
7-------0----------|-----------|-----------|------|-0---
8------------------|-----------|-----------|------|-0---
9------------------|-----------|--8--------|------|-0---
10-----------------|-6---------|-----------|-4----|-----
[/tab]
-John
- Greg Cutshaw
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If you have the knee lever that drops the 9th string 1/2 tone you can get pretty much all the C6th intro notes inlcuding the Aug11.
4th Tab Up From Bottom = E9th Nice Chord Sequence
Listen to the last 4 chords I have tabbed out. You can sub a maj7th chord for the 3rd one and that is also available on E9th. In fact, if your willing to move the bar a lot, all of these notes can be played without lowering the 9th string but the execution and overall sound suffers a lot.
Greg
4th Tab Up From Bottom = E9th Nice Chord Sequence
Listen to the last 4 chords I have tabbed out. You can sub a maj7th chord for the 3rd one and that is also available on E9th. In fact, if your willing to move the bar a lot, all of these notes can be played without lowering the 9th string but the execution and overall sound suffers a lot.
Greg
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- Larry Strawn
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All right guys, it's coming together for me now thanks to all the help ya'll have given me.
It's a pain in the butt to be so harded headed and dense as I am sometimes!
Thanks every one.
Larry
It's a pain in the butt to be so harded headed and dense as I am sometimes!
Thanks every one.
Larry
Carter SD/10, 4&5 Hilton Pedal, Peavey Sessions 400, Peavey Renown 400, Home Grown Eff/Rack
"ROCKIN COUNTRY"
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What is an aug11 chord? What are the notes, and which of them are actually played in this intro?
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The beauty of the intro lies in the fact that the note on top stays the same through all the chord changes. In the key of D, that note is A. That's why the fourth chord in the progression is Eb7#11: Because that #11 note (in an Eb chord) is A.
It's the same chord used in the third bar of "Take the A Train".... and in the third bar of "Desifinado"... or the thirteenth bar of "Laura"... or the twelfth bar of "A Night In Tunisia.... I could go on.
Alot of people seem to think it's some exotic chord, but it's built into alot of standard melodies.
b0b, I'm smiling as I read your query, because we've talked about this chord before. I remember asking you, when you were called on to play "Happy Birthday" at a gig, what chord did you play over the first syllable of the person's name ?
-John
p.s. Before someone tells me their chart of "A Train" notates a b5, they're the same thing... as scale theory evolved, it was discovered that the bebopper's favourite "b5" was actually #11.
It's the same chord used in the third bar of "Take the A Train".... and in the third bar of "Desifinado"... or the thirteenth bar of "Laura"... or the twelfth bar of "A Night In Tunisia.... I could go on.
Alot of people seem to think it's some exotic chord, but it's built into alot of standard melodies.
b0b, I'm smiling as I read your query, because we've talked about this chord before. I remember asking you, when you were called on to play "Happy Birthday" at a gig, what chord did you play over the first syllable of the person's name ?
-John
p.s. Before someone tells me their chart of "A Train" notates a b5, they're the same thing... as scale theory evolved, it was discovered that the bebopper's favourite "b5" was actually #11.
If you're jamming and the progression goes to an aug11 chord, does the whole tone scale work there?
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- P Gleespen
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In the key of C, that'd be C D E F# G A Bb, right?John Steele wrote:lydian mode of the melodic minor
In my schoolin' days, we used to call that "Lydian flat 7" (although it'd probably be better to call it something more like "Dominant #4"...), which is also called the lydian dominant scale.
The reason I'm asking/mentioning it is since there's also a melodic minor mode called "lydian augmented", things can be a little confusing.
In fact, I suspect that the use of the term "augmented" in the chord name Ebaug11 is leading to a little confusion. I know that when I see the word augmented, my knee jerk reaction is to think #5.
Isn't a little more clear to call it Eb7#11? Or is there a difference there that I'm not aware of?
Patrick
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