Shobud Fingertips and Permanents----got a picture??
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- James Morehead
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Shobud Fingertips and Permanents----got a picture??
2) THE FINGERTIP
Around 1963, production started on the Sho-Bud Fingertip. This model was unique because unlike the Permanent, it was possible to change the pedal setup. It was nicknamed the Universal for this reason, and was basically the start of the all-pull undercarriage system. The Fingertip got its name from the fact that you could tune the pedal raises or lowers with your fingertips. On the end of the changer, slotted, finger turntable screws for each of the strings was used to tune the pedals. The changer was designed in such a way that you could raise and lower the same string if so desired. Additional raises or lowers of the same string had to be adjusted in the undercarriage. Although the setup was easy to change, the guitar was very sensitive. It had to be setup and adjusted perfectly in order to stay in tune. Constant adjustment was pretty much a given. But once it was adjusted correctly, it played and sounded great. It had a wonderful tone. Generally, the Fingertip was standard with one, and then later, two knee levers. In 1964, the Jackson family moved the Sho-Bud company to lower Broadway in downtown Nashville. A full service music store featuring Sho-Bud pedal steels and products was offered. Fingertips and Permanents were built and assembled at this store on lower Broadway. The generally accepted era for the Fingertip was from 1963 to around 1967 or possibly later. Suggested prices for these Fingertips during their production run varied from eight to twelve string; single,double, or triple neck. The type of wood and finish, plus any wood inlay work also affected the price. As the Permanent, the Fingertip was considered a custom pedal steel. But for an example, a double-10 listed at $620 and $50 for each additional pedal or knee lever.
Out of curiosity, there are subtle differences in fingertips, year by year. Here's some pics of my fingertip changer, believe to be a '67. What does yours look like??
The first 2 pics are before I cleaned the guitar up. Also, this guitar has 9 floor pedals and came with 3 knee levers. I added a 4th. Also note that I changed out the pickups, too. Does anyone have an idea what those "double row" pickups were about? I had been told that Pete Drake had a pair made up(like these) for recording with. I acquired these in an old Professional I once had.
Around 1963, production started on the Sho-Bud Fingertip. This model was unique because unlike the Permanent, it was possible to change the pedal setup. It was nicknamed the Universal for this reason, and was basically the start of the all-pull undercarriage system. The Fingertip got its name from the fact that you could tune the pedal raises or lowers with your fingertips. On the end of the changer, slotted, finger turntable screws for each of the strings was used to tune the pedals. The changer was designed in such a way that you could raise and lower the same string if so desired. Additional raises or lowers of the same string had to be adjusted in the undercarriage. Although the setup was easy to change, the guitar was very sensitive. It had to be setup and adjusted perfectly in order to stay in tune. Constant adjustment was pretty much a given. But once it was adjusted correctly, it played and sounded great. It had a wonderful tone. Generally, the Fingertip was standard with one, and then later, two knee levers. In 1964, the Jackson family moved the Sho-Bud company to lower Broadway in downtown Nashville. A full service music store featuring Sho-Bud pedal steels and products was offered. Fingertips and Permanents were built and assembled at this store on lower Broadway. The generally accepted era for the Fingertip was from 1963 to around 1967 or possibly later. Suggested prices for these Fingertips during their production run varied from eight to twelve string; single,double, or triple neck. The type of wood and finish, plus any wood inlay work also affected the price. As the Permanent, the Fingertip was considered a custom pedal steel. But for an example, a double-10 listed at $620 and $50 for each additional pedal or knee lever.
Out of curiosity, there are subtle differences in fingertips, year by year. Here's some pics of my fingertip changer, believe to be a '67. What does yours look like??
The first 2 pics are before I cleaned the guitar up. Also, this guitar has 9 floor pedals and came with 3 knee levers. I added a 4th. Also note that I changed out the pickups, too. Does anyone have an idea what those "double row" pickups were about? I had been told that Pete Drake had a pair made up(like these) for recording with. I acquired these in an old Professional I once had.
Last edited by James Morehead on 1 Mar 2014 4:57 am, edited 3 times in total.
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I had a really "odd duck" one of these in the late 60's. I had a double 11 string fingertip Sho-Bud I picked up from Marlen Guitars. Was traded in. I eventually traded it on a new Emmons push-pull around 1970. Wish I had it now and the push-pull. I wonder who it was originally built for? 11 strings came in handy on the E9th.
Regards,
Wayne
Regards,
Wayne
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2) THE FINGERTIP
Around 1963, production started on the Sho-Bud Fingertip. This model was unique because unlike the Permanent, it was possible to change the pedal setup. It was nicknamed the Universal for this reason, and was basically the start of the all-pull undercarriage system. The Fingertip got its name from the fact that you could tune the pedal raises or lowers with your fingertips. On the end of the changer, slotted, finger turntable screws for each of the strings was used to tune the pedals. The changer was designed in such a way that you could raise and lower the same string if so desired. Additional raises or lowers of the same string had to be adjusted in the undercarriage. Although the setup was easy to change, the guitar was very sensitive. It had to be setup and adjusted perfectly in order to stay in tune. Constant adjustment was pretty much a given. But once it was adjusted correctly, it played and sounded great. It had a wonderful tone. Generally, the Fingertip was standard with one, and then later, two knee levers. In 1964, the Jackson family moved the Sho-Bud company to lower Broadway in downtown Nashville. A full service music store featuring Sho-Bud pedal steels and products was offered. Fingertips and Permanents were built and assembled at this store on lower Broadway. The generally accepted era for the Fingertip was from 1963 to around 1967 or possibly later. Suggested prices for these Fingertips during their production run varied from eight to twelve string; single,double, or triple neck. The type of wood and finish, plus any wood inlay work also affected the price. As the Permanent, the Fingertip was considered a custom pedal steel. But for an example, a double-10 listed at $620 and $50 for each additional pedal or knee lever.
Around 1963, production started on the Sho-Bud Fingertip. This model was unique because unlike the Permanent, it was possible to change the pedal setup. It was nicknamed the Universal for this reason, and was basically the start of the all-pull undercarriage system. The Fingertip got its name from the fact that you could tune the pedal raises or lowers with your fingertips. On the end of the changer, slotted, finger turntable screws for each of the strings was used to tune the pedals. The changer was designed in such a way that you could raise and lower the same string if so desired. Additional raises or lowers of the same string had to be adjusted in the undercarriage. Although the setup was easy to change, the guitar was very sensitive. It had to be setup and adjusted perfectly in order to stay in tune. Constant adjustment was pretty much a given. But once it was adjusted correctly, it played and sounded great. It had a wonderful tone. Generally, the Fingertip was standard with one, and then later, two knee levers. In 1964, the Jackson family moved the Sho-Bud company to lower Broadway in downtown Nashville. A full service music store featuring Sho-Bud pedal steels and products was offered. Fingertips and Permanents were built and assembled at this store on lower Broadway. The generally accepted era for the Fingertip was from 1963 to around 1967 or possibly later. Suggested prices for these Fingertips during their production run varied from eight to twelve string; single,double, or triple neck. The type of wood and finish, plus any wood inlay work also affected the price. As the Permanent, the Fingertip was considered a custom pedal steel. But for an example, a double-10 listed at $620 and $50 for each additional pedal or knee lever.
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I beleive that Bobbe Seymour was involved with Sho Bud during the period you are talking about. I think if someone would ask him to lay out what he knows about the details, you might get all the info you need. But I think you have to ask him directly.
The more first hand knowledge about these subjects the better.
The more first hand knowledge about these subjects the better.
Last edited by Steve Waltz on 5 Feb 2008 3:03 pm, edited 1 time in total.
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BobbeSeymour
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From: Hendersonville TN USA
posted 19 May 2003 02:36 PM profile send email edit
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Anyone want to ask me a specific question, I'll give you a correct answer. Yes, I was involved with the factory through the "fingertip" years. The first one I ever saw was Buddy Charlton's D-10 in '64 in Norfolk VA.I moved to Nashville soon after. The last one built was in the summer of '69. The "permenents" and "Baldwin crossovers" were built during the same period and not very many "Fingertips" were really built , around 100 D-10's as I remember, total. I prefered the perminent myself to anything up to the Pro II of '71.
Yes , there were many single 10string Fingertip guitars built. I have had many, many over the years.
Bobbe
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From: Hendersonville TN USA
posted 19 May 2003 02:36 PM profile send email edit
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Anyone want to ask me a specific question, I'll give you a correct answer. Yes, I was involved with the factory through the "fingertip" years. The first one I ever saw was Buddy Charlton's D-10 in '64 in Norfolk VA.I moved to Nashville soon after. The last one built was in the summer of '69. The "permenents" and "Baldwin crossovers" were built during the same period and not very many "Fingertips" were really built , around 100 D-10's as I remember, total. I prefered the perminent myself to anything up to the Pro II of '71.
Yes , there were many single 10string Fingertip guitars built. I have had many, many over the years.
Bobbe
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Steve I believe this is the guitar that Lloyd used on his two Lawrence Welk appearances, judging by the flaw in the front apron.Steve Walz wrote:you can't see it too well but here's one, It's kind of famous and known to sound pretty good, at least on the panter hall record.
And this one's been posted before
Notice the dark line running diagonally in the light part of the finish.
I wonder where that guitar is today.... I believe Lloyd sold it...
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