Question for All D10 Players Only......
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- JERRY THURMOND
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- Paddy Long
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Probably about half and half ..but I would love to play C6th a lot more. E9th is where the money is if you play anything commercial -- but I have always had a bit of a leaning towards Jazz styles so I just love C6th. I can play the Jazzy stuff on E9th too but it sounds way better on C6th. Most of my session calls are for mostly E9th stuff.
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- Scott Henderson
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When I work a duo with a friend of mine it is about 50/50. But when I work with bigger bands it's more 70/30 C6/E9. I do a lot of western swing/old jazz/old country gigs with bigger bands. When I was a full time uni player I tried to seperate the two tunings as much as possible and I did this by looking at it this way. My E9 copedent was 4&5 (pedals/knees) My C6 setup was 8 & 3. Playing the uni first taught me to play the 6th tuning more off the top as opposed to using pedals so much which made the transition to C6 fairly easy. I still have a lot of "toys" on my C6 (5 & 5) but I always think first of playing off the top then enhance chord structures and movements with the pedals. I think the biggest thing the uni taught me was to play the tuning what ever it is which has helped me go very easily from tuning to tuning.
D-10 JCH Dekley U-12 D-8 Magnatone Mullen RP Evans RE 200 profex 2 BJS bars
Dentyne gum (peppermint)
Dentyne gum (peppermint)
- Scott Henderson
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When I work a duo with a friend of mine it is about 50/50. But when I work with bigger bands it's more 70/30 C6/E9. I do a lot of western swing/old jazz/old country gigs with bigger bands. When I was a full time uni player I tried to seperate the two tunings as much as possible and I did this by looking at it this way. My E9 copedent was 4&5 (pedals/knees) My C6 setup was 8 & 3. Playing the uni first taught me to play the 6th tuning more off the top as opposed to using pedals so much which made the transition to C6 fairly easy. I still have a lot of "toys" on my C6 (5 & 5) but I always think first of playing off the top then enhance chord structures and movements with the pedals. I think the biggest thing the uni taught me was to play the tuning what ever it is which has helped me go very easily from tuning to tuning.
D-10 JCH Dekley U-12 D-8 Magnatone Mullen RP Evans RE 200 profex 2 BJS bars
Dentyne gum (peppermint)
Dentyne gum (peppermint)
- Roger Edgington
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It depends on who I am playing with. With our swing/old country band it's about 60/40 C6/E9. On the last two Cds with Billy Mata it worked out 50/50. Those can be sampled on the Billy Mata website. It's not uncommon for me to switch necks in the middle of a song. Playing a gig without both tunings would be a boring night for me. It seems the biggest part of Texas players are very good on C6.
Unless your HALL OF FAME or one of the ELITE I would never show up at a gig with a little S-10 pedal steel even though I haven’t even tuned the C6 neck up in the last 5 yrs.
In my limited field of indeaver(Bars, Road Houses, Honkey Tonks, Clubs and Sh_t Tours) you show up with a double neck pedal steel guitar. If you just bring a single neck guitar the club owner thought you could not do the job. It’s like they thought that all S-10’s were like student model Pedal steels and you were a student.
If I had enough time to learn to play GOOD C6 I’d be better off using that time to learn the keyboard. I use the E9 neck 50% of the time and my Telecaster neck 25% of the time and I’m on break 25% of the time.
Any way the only difference in the C6 neck and the E9 neck is a couple of 50 gauge wound strings and 5 too many pedals.
In my limited field of indeaver(Bars, Road Houses, Honkey Tonks, Clubs and Sh_t Tours) you show up with a double neck pedal steel guitar. If you just bring a single neck guitar the club owner thought you could not do the job. It’s like they thought that all S-10’s were like student model Pedal steels and you were a student.
If I had enough time to learn to play GOOD C6 I’d be better off using that time to learn the keyboard. I use the E9 neck 50% of the time and my Telecaster neck 25% of the time and I’m on break 25% of the time.
Any way the only difference in the C6 neck and the E9 neck is a couple of 50 gauge wound strings and 5 too many pedals.
- Dan Burnham
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Thanks
Thanks to all of you that voted. You confirmed what I had suspected. Thanks for your time to answer,
Dan (BMI)
Dan (BMI)
BMI S12 Zane Beck's Tuning
www.danburnham.com
www.danburnham.com
- David L. Donald
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- Alan Harrison
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Swinging Down South
Our group plays a lot swing so I play the C6th neck about 60% of the time. I love to play swing, a lot of the old big band music. If I could play E9th like Randy Beavers, I would get by nicely with just one neck and my back wouldn't complain as much. alan
Mullen (Black) Pre G-2 9x7, B.L. 705 PUP's, Evans SE 200 Telonics NEO 15-4, BJS Bar, Peterson Strobo Flip, Steelers Choice Seat, Folgers Coffee and Hilton Pedals.
"I Steel Without Remorse"
"I Steel Without Remorse"
- Alan Brookes
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Re: Thanks
Now ask how many S10 players tune to C6....Dan Burnham wrote:Thanks to all of you that voted. You confirmed what I had suspected. Thanks for your time to answer,
Dan (BMI)