Question for All D10 Players Only......

About Steel Guitarists and their Music

Moderator: Shoshanah Marohn

How often do you play the C6 neck on a gig

Poll ended at 10 Dec 2007 8:42 am

Never
6
8%
A little
23
30%
Often
47
62%
 
Total votes: 76

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JERRY THURMOND
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Post by JERRY THURMOND »

I play C6th about half the time when I with the band. But any other time I play the C6th for my own enjoyment. If it was not for the C6 I would most likely quit.

Jerry
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chris ivey
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Post by chris ivey »

some gigs are mostly E9, but with sticky vikki we play alot of rockabilly/swingy thingies which i play C6 on....i'm not a good jazzy player (tho i wish i were)..but i love the C6 neck...i switch back and forth in the middle of many songs from one neck to the other.
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Steve Norman
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Post by Steve Norman »

I like to play B Bowmans Hop if there is awkward silence on stage for tuning etc. It makes the audience laugh
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Daniel Eaton
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Post by Daniel Eaton »

I can't play either but I love to fake it on both.
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Scott Henderson
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Post by Scott Henderson »

A better question is how often do I play the E9th neck. I do about 90% of my work on C6th. (I love my life.....)
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Paddy Long
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Post by Paddy Long »

Probably about half and half ..but I would love to play C6th a lot more. E9th is where the money is if you play anything commercial -- but I have always had a bit of a leaning towards Jazz styles so I just love C6th. I can play the Jazzy stuff on E9th too but it sounds way better on C6th. Most of my session calls are for mostly E9th stuff.
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David Doggett
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Post by David Doggett »

I know I'm not supposed to be in this tread. I play E9/B6 uni. I have tried to lose the distinction. More and more I am succeeding.
Ron Randall
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Post by Ron Randall »

What David said.

I play a 12 string pedal steel. I know your survey is about D10.
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Scott Henderson
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Post by Scott Henderson »

MY vote would be that UNI players would be welcomed on this thread. I seperate the two in mymind at least and thats where it's important. Universal was my first love and I still have one.
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Jeremy Threlfall
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Post by Jeremy Threlfall »

Scott - your opinion would be of special interest then. As firstly a uni player, and now a D10 'convert' (its usually the other way around, eh?) how often do you play the C6th neck?
Shorty Smith
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Post by Shorty Smith »

I play the E9 much more than I play the C6 but I use both every gig I play which is every Friday and Saturday night plus other special gigs. I like the C6 on faster songs and E9 on slow, Shorty
Jonathan Cullifer
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Post by Jonathan Cullifer »

67%/33% E9/C6. A lot of what I play on C6 is single note stuff so in some scenarios where a song could be played on either, I'll use the C6. Rarely will I play C6 pieces at steel shows though.
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Brett Day
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Post by Brett Day »

I mainly play E9th steel a lot, but sometimes, I'll play C6th stuff if the song features lapsteel. I play a lot of E9th at steel shows.

Brett
Hap Young
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Post by Hap Young »

I play mostly E9th butI use the C6th every chance I get. I don't play it well, but then again, I don't play the E9th well either. But I'll keep on trying as I love the sound.
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Scott Henderson
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Post by Scott Henderson »

When I work a duo with a friend of mine it is about 50/50. But when I work with bigger bands it's more 70/30 C6/E9. I do a lot of western swing/old jazz/old country gigs with bigger bands. When I was a full time uni player I tried to seperate the two tunings as much as possible and I did this by looking at it this way. My E9 copedent was 4&5 (pedals/knees) My C6 setup was 8 & 3. Playing the uni first taught me to play the 6th tuning more off the top as opposed to using pedals so much which made the transition to C6 fairly easy. I still have a lot of "toys" on my C6 (5 & 5) but I always think first of playing off the top then enhance chord structures and movements with the pedals. I think the biggest thing the uni taught me was to play the tuning what ever it is which has helped me go very easily from tuning to tuning.
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Scott Henderson
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Post by Scott Henderson »

When I work a duo with a friend of mine it is about 50/50. But when I work with bigger bands it's more 70/30 C6/E9. I do a lot of western swing/old jazz/old country gigs with bigger bands. When I was a full time uni player I tried to seperate the two tunings as much as possible and I did this by looking at it this way. My E9 copedent was 4&5 (pedals/knees) My C6 setup was 8 & 3. Playing the uni first taught me to play the 6th tuning more off the top as opposed to using pedals so much which made the transition to C6 fairly easy. I still have a lot of "toys" on my C6 (5 & 5) but I always think first of playing off the top then enhance chord structures and movements with the pedals. I think the biggest thing the uni taught me was to play the tuning what ever it is which has helped me go very easily from tuning to tuning.
D-10 JCH Dekley U-12 D-8 Magnatone Mullen RP Evans RE 200 profex 2 BJS bars
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Roger Edgington
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Post by Roger Edgington »

It depends on who I am playing with. With our swing/old country band it's about 60/40 C6/E9. On the last two Cds with Billy Mata it worked out 50/50. Those can be sampled on the Billy Mata website. It's not uncommon for me to switch necks in the middle of a song. Playing a gig without both tunings would be a boring night for me. It seems the biggest part of Texas players are very good on C6.
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Bo Legg
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Post by Bo Legg »

Unless your HALL OF FAME or one of the ELITE I would never show up at a gig with a little S-10 pedal steel even though I haven’t even tuned the C6 neck up in the last 5 yrs.
In my limited field of indeaver(Bars, Road Houses, Honkey Tonks, Clubs and Sh_t Tours) you show up with a double neck pedal steel guitar. If you just bring a single neck guitar the club owner thought you could not do the job. It’s like they thought that all S-10’s were like student model Pedal steels and you were a student.
If I had enough time to learn to play GOOD C6 I’d be better off using that time to learn the keyboard. I use the E9 neck 50% of the time and my Telecaster neck 25% of the time and I’m on break 25% of the time.
Any way the only difference in the C6 neck and the E9 neck is a couple of 50 gauge wound strings and 5 too many pedals.:lol:
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Dan Burnham
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Thanks

Post by Dan Burnham »

Thanks to all of you that voted. You confirmed what I had suspected. Thanks for your time to answer,

Dan (BMI)
BMI S12 Zane Beck's Tuning
www.danburnham.com
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David L. Donald
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Post by David L. Donald »

C6 70-80% of any gig.
But depends on the songs too.
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Alan Harrison
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Swinging Down South

Post by Alan Harrison »

Our group plays a lot swing so I play the C6th neck about 60% of the time. I love to play swing, a lot of the old big band music. If I could play E9th like Randy Beavers, I would get by nicely with just one neck and my back wouldn't complain as much. alan
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Alan Brookes
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Re: Thanks

Post by Alan Brookes »

Dan Burnham wrote:Thanks to all of you that voted. You confirmed what I had suspected. Thanks for your time to answer,

Dan (BMI)
Now ask how many S10 players tune to C6.... :eek:
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