| Author |
Topic: C6th for Folk Music? |
b0b
From:
Cloverdale, CA, USA
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Posted 20 Sep 2007 7:25 am |
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More and more, I find myself using the C6th neck when I want a more folksy sound. I take my foot off the volume pedal and mostly use the following changes:
| Tab: |
LKL P6 RKR
D +Eb
E +F
C +C#
A
G
E -Eb +F
C +C#
A
F
C |
I use a glass bar to reduce sustain and give it a more "acoustic" sound. I avoid the "jazz" chords typical of C6th. Basically, LKL works like the E9th F lever and P6/RKR work like the E9th B pedal (I to IV change). That's really all you need to get a folksy sound.
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-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video |
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Mike Shefrin
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Posted 20 Sep 2007 7:33 am
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Interesting.
Last edited by Mike Shefrin on 11 Jan 2010 10:10 pm; edited 1 time in total |
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Bob Hoffnar
From:
Austin, Tx
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Posted 20 Sep 2007 8:26 am
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Bob,
For the a diatonic thirds thing I like strings 2 and 3 with pedals 6 and 7 also. The C6 just gets more and more fun and useful for me also.
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Bob |
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b0b
From:
Cloverdale, CA, USA
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Posted 20 Sep 2007 8:48 am
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| Bob Hoffnar wrote: |
Bob,
For the a diatonic thirds thing I like strings 2 and 3 with pedals 6 and 7 also. The C6 just gets more and more fun and useful for me also. |
I've never really acquired the P7 habit, but I see how it could be useful in folk (triad-based) music.
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-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video |
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