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Post new topic Lowering the 4th and 8th strings.
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Author Topic:  Lowering the 4th and 8th strings.
Tracy Sheehan

 

From:
Fort Worth, Texas, USA
Post  Posted 4 Sep 2007 8:09 pm    
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I have read much on this subject.I do not lower my 4th and 8th either.
With your A&B pedal down you let off and move down two frets lowering the 4th and 8th.
You can do the same thing by going down 4 frets and raising the 5th with your floor pedal and raising 4th and 8th with you F knee lever.You get quite a wide range doing this.by letting off your pedals in the 2nd fret as you pass by.Hope this helps some who do not have the 4th and 8th lower.
By looking around you will find there are many ways to get the same notes of any chord in different frets.Hope this is some help to the ones who are new to this beast.Tracy
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Mickey Lawson

 

From:
Cleveland, Tennessee, USA
Post  Posted 4 Sep 2007 9:33 pm     Re: Lowering the 4th and 8th strings.
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Tracy Sheehan wrote:

With your A&B pedal down you let off and move down two frets lowering the 4th and 8th.

--This makes a minor chord--

Tracy Sheehan wrote:
You can do the same thing
by going down 4 frets and raising the 5th with your floor pedal and raising 4th and 8th with you F knee lever.

--This makes a major chord--
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Richard Sinkler


From:
aka: Rusty Strings -- Missoula, Montana
Post  Posted 4 Sep 2007 10:04 pm    
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It makes it really nice to have the 3minor chord at the same fret as the 1 and 4 and it gives you a great 5-7th chord with the B pedal at the same fret. Plus , lowering those strings make for great melody playing. Of course the D# is available on string 2, but if you want the melody to have movement with other pedals also involved, you need to lower the 4th and 8th. I do realize that there are a few who don't lower the 4th, but they are a very small minority.
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Tracy Sheehan

 

From:
Fort Worth, Texas, USA
Post  Posted 4 Sep 2007 10:21 pm     Reply
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By moving down 4 frets raising the 5th along with the F pedal goes the same thing as moving down 2 frets lowering the 4 and 8.
I do not go by the notes as i am tuned in D 9th.OR the pedals as i do not use the so called Emmons or Day set up.This is a simple way to explain it to guys and girls new to the steel with out confusing them.
Most beginers have not learned music theory yet.To keep it simple any key you are in move up 3 frets and raise the 5th string only.That gives the minor chord to the key you are playing in.
Hold the A&B pedals dowm move up 3 frets and play strings 567 and that also give you the minor to the key you are playing in.Tracy
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Tony Prior


From:
Charlotte NC
Post  Posted 5 Sep 2007 3:15 am    
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all this is true..

but without the 8 lower, how do you realize the full potential of strings 5 and 8 together using the A ped and Bb lever along with the E lower and E raise ?

not an argument, a question ....

and I haven't even mentioned phrasing along with 7 raise yet..

Me, I want it all...
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Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 5 Sep 2007 3:21 am    
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The idea behind the pedals is not just making chords, but the unique sounds of seamlessly bending or morphing from one chord to another. While there's many instances to be found of the "I can get the same chord elsewhere" thing, the effect just isn't the same.
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J Fletcher

 

From:
London,Ont,Canada
Post  Posted 5 Sep 2007 9:20 am    
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Since I play E9 only, no C6,I sure would miss being able to play in B6 mode with a nice low B on my 10th string...Jerry
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Emmett Roch

 

From:
Texas Hill Country
Post  Posted 5 Sep 2007 9:36 am    
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I've had a couple of old guitars that lowered the 8th but not the 4th.

Even Lloyd Green, who stopped lowering his 4th many years ago, still lowers his 8th.

Personally, I like to be able to lower both because that's the way I learned and what I got used to back in the olden days.

On occasion when I'm practicing, I'll play around one or another particular change (such as using the second string instead of lowering the 4th, for example), trying to achieve the same musical objective without using a certain pedal or lever.

In other words, I see where Tracy is comin' from; I choose to keep and use the changes on my guitar, but I also like to already have an idea what to do if one of them stops working.
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Papa Joe Pollick


From:
Swanton, Ohio
Post  Posted 5 Sep 2007 11:06 am    
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If I had but one lever,it would be the E's lowered.I use this as much as the C pedal.PJ
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Tracy Sheehan

 

From:
Fort Worth, Texas, USA
Post  Posted 5 Sep 2007 12:32 pm     Tone;RE
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Tony Prior wrote:
all this is true..

but without the 8 lower, how do you realize the full potential of strings 5 and 8 together using the A ped and Bb lever along with the E lower and E raise ?

not an argument, a question ....

and I haven't even mentioned phrasing along with 7 raise yet..

Me, I want it all...

Tony.when you move your bar down 4 frets and raising the 4th and 8th i/2 tone with the F pedal you are getting the same notes.In other words you are lowering your 8th with the bar gives you quite a long slide.
LG could be doing it this way and why he doesn't have to lower the 4th and 8th.I am only guessing here.
Maybe i should not have brought this up as i can't seem to explain it very good.For instance the same notes can be played by lowering the 2nd 1/2 tone only and then raising the 5th so you dont need the double stop.Same thing.Sorry but i neve learned tab or i would write it out.lol.Tracy
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Henry Matthews


From:
Texarkana, Ark USA
Post  Posted 5 Sep 2007 12:46 pm    
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Tracy, you are correct about being the same notes but what I would miss would be all the chord possiblities that you have by lowering the E's.
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Henry Matthews

D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
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Tracy Sheehan

 

From:
Fort Worth, Texas, USA
Post  Posted 5 Sep 2007 1:02 pm     Re:
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Henry Matthews wrote:
Tracy, you are correct about being the same notes but what I would miss would be all the chord possiblities that you have by lowering the E's.

You are correct.Sorry i goofed.I do have a knee lever that lowers my 4th and 8th but i only use it it when i want the A6th tuning.As you know tuned in E it gives you a B6th.
There are so many ways to do the same thing i get mixed up which is normal for me.Bobby Seymour where are you.HELP.Tracy
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Fred Glave


From:
McHenry, Illinois, USA
Post  Posted 6 Sep 2007 1:52 pm    
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I like the nice 7th chord when lowering strings 4&8 with the B pedal down. Working in open position I chord, press A & B pedals down and move up 2 frets to V chord. Then slide down 2 frets while releasing the A pedal, like Tracy said, while levering your E's down and keeping the B pedal down for the V 7th chord. Then release all pedals and levers to resolve in the open position I chord. A variation of that would be to use the F lever to raise the same Es to get your V 7th chord 2 frets below the open I chord position. Those 2 knee levers are like gold.
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Gary Preston


From:
Columbus, Ohio, USA
Post  Posted 7 Sep 2007 1:10 pm    
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Shocked I wouldn't know what to do without both the ''E's'' lowered ! There is so much pretty stuff by doing this . And there aren't many Lloyds left !
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Tracy Sheehan

 

From:
Fort Worth, Texas, USA
Post  Posted 7 Sep 2007 1:56 pm     Lowering 4th & 8th
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I don't think LLoyd lowers his 4th nd 8th either.Some one correct me if i am wrong.
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Larry Strawn


From:
Golden Valley, Arizona, R.I.P.
Post  Posted 7 Sep 2007 2:13 pm    
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Tracy,
My understanding is that Lloyd lowers the 8th, but not the 4th.

Larry
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Tracy Sheehan

 

From:
Fort Worth, Texas, USA
Post  Posted 7 Sep 2007 4:21 pm     Re:
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Larry Strawn wrote:
Tracy,
My understanding is that Lloyd lowers the 8th, but not the 4th.

Larry

I think you are correct.As i said before these beasts can be confusing as there are so many ways to do the same thing with the use of pedals in different frets.
Back around the first part of 1970
i had a new ZB.Tom Brumley owned ZB back then as i recall.Any ways we were playing some where near where the ZB factory was.I took the ZB for some reason which i forget and the tech tried to sell me another knee lever to get something Tom did.He showed me the lick or what ever it was (i forget now what it was) but i told him the same thing the same can be done with out the extra knee lever.He didn't think so.Was a friendly debate.I set down to my steel and showed him the same lick done a different way.He said I'll be darned.
This doesn't prove anything except as i have said B4,the steel is a werid beast.LOL.Tracy
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Jay Jessup


From:
Charlottesville, VA, USA
Post  Posted 7 Sep 2007 5:22 pm    
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interesting, I didn't think there was such a thing as E9 tuning without this lever?
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Mickey Lawson

 

From:
Cleveland, Tennessee, USA
Post  Posted 8 Sep 2007 5:38 pm     chords
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Isn't the 9th of E-tuning (key of E) F#. Also, D-lever changing E to Eb (in key of E), makes an EMaj7 (without the root E), or G#m minor chord.
EMaj7 = _ - G# - B - D# (without the root E), or
G#m = G# - B - D#.
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Ernie Pollock

 

From:
Mt Savage, Md USA
Post  Posted 11 Sep 2007 4:43 am     Hum
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I think Donnie Hinson just nailed that fer ya

Ernie Smile
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Ernie Pollock

 

From:
Mt Savage, Md USA
Post  Posted 11 Sep 2007 4:44 am     Uh Oh
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Donny, sorry I spelled your name rong, I didnt do well in school!

Ernie Shocked
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