Lap steel with multibender - pics attached (I hope!)
Moderator: Brad Bechtel
Lap steel with multibender - pics attached (I hope!)
Hi
Don't know if I've managed to do this right but, if so, you should see pictures of my Bennett (British manufacturer) lap steel with a (German-made) Duesenberg Multibender fitted.
It's tuned to E7th (high to low: e b G# E D B). The three levers take the high E to F, the high B to C# and the G# to A, so it's like the 1st 2 pedals of an E9th steel, with the E to F knee lever.
Still getting to grips with it, but plan to gig it soon. More limited than a pedal steel, obviously ... but WAY more portable!
Just thought people might be interested
Iain
- Terry Gann
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Lain:
How difficult is it to pick while holding down the levers?
Or do you use your forearm?
Looks to me your "pedal" pressure might vary depending on what your right hand was doing.
How difficult is it to pick while holding down the levers?
Or do you use your forearm?
Looks to me your "pedal" pressure might vary depending on what your right hand was doing.
TerryGannAOneManBand
psgs: Fessenden SD-10, Nashville LTD SD-10, lapsteels: Fouke Indy Rail, OAHU Tonemaster, Roy Scmeck. amps: Fender Steelking, Boogie Nomad, Marshall TSL, Bogner Alchemist, POD Pro, Boogie Studio Preamp. Pedals... lots and lots of pedals!
psgs: Fessenden SD-10, Nashville LTD SD-10, lapsteels: Fouke Indy Rail, OAHU Tonemaster, Roy Scmeck. amps: Fender Steelking, Boogie Nomad, Marshall TSL, Bogner Alchemist, POD Pro, Boogie Studio Preamp. Pedals... lots and lots of pedals!
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Hi
Yes, it can be a bit awkward picking and pressing, especially with the 1st 2 levers (top E and B), but I'm getting used to it (I hope!) Just a new and different skill to learn, really.
The G# to A lever is pretty much sitting under my wrist; that seems comfiest way to press it.
They don't need much pressure, and work very well - tuning is very stable.
Sound clips: sorry, I'm not that computer-literate, I'm afraid, but if you look a the Rockinger site there are sound clips there, played by its co-designer Martin Huch, in a very similar tuning to mine.
Thanks for the interest. The multibender's certainly a cool device!
Yes, it can be a bit awkward picking and pressing, especially with the 1st 2 levers (top E and B), but I'm getting used to it (I hope!) Just a new and different skill to learn, really.
The G# to A lever is pretty much sitting under my wrist; that seems comfiest way to press it.
They don't need much pressure, and work very well - tuning is very stable.
Sound clips: sorry, I'm not that computer-literate, I'm afraid, but if you look a the Rockinger site there are sound clips there, played by its co-designer Martin Huch, in a very similar tuning to mine.
Thanks for the interest. The multibender's certainly a cool device!
Wow, that is VERY cool!
http://www.rockinger.com/index.php?cat= ... duct=2405C
And Martin Huch makes it look easy!
Wow.
http://www.rockinger.com/index.php?cat= ... duct=2405C
And Martin Huch makes it look easy!
Wow.
¿Who built it?
Iain ¿Is someone selling ready assembled units? ¿or is that something you installed?
Jeremy Williams
Barcelona Spain
Jeremy Williams
Barcelona Spain
- Alan Brookes
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- Alan Brookes
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Re: ¿Who built it?
I bought mine direct from the manufacturer by mail order.MUSICO wrote:...¿Is someone selling ready assembled units?...
http://www.duesenberg.de/duesenberg/en_index.php
I got mine from Rockinger: http://www.rockinger.com/index.php?lang=ENG
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Pretty well, actually: it's like having the A&B pedal and the E to F knee-lever raise in a very portable package.
Of course it's not as versatile as a pedal steel, but it can go in a double-guitar gig bag with my Tele and is much quicker to set up etc.
Can be tricky to pick and bend at same time but the more I gig it the more I'm getting used to it.
In short: I like it!
Of course it's not as versatile as a pedal steel, but it can go in a double-guitar gig bag with my Tele and is much quicker to set up etc.
Can be tricky to pick and bend at same time but the more I gig it the more I'm getting used to it.
In short: I like it!
- David Wren
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Glad to see folks putting palm levers with lap steels. I've started an eight string (already had Jerry Wallace build me a P.U.) but I'm machining my parts, so it be a while before I can share pix of the finished product.
I'm taking a different approach on the copedant:
The single plam lever will lower the 2 key notes of the chord, giving a major 7th, which I think will be useful on a lap steel.
Instead of a second palm lever, I'm building a knee lever (with a "stop" lever on the opposite knee to keep the steel from sliding) which will have a double-stop... first lowering the 3rd note of the chord 1/2 note, and then going on to a full note lower.
End result will be similar to playing a E9th PSG with pedals A&B depressed (no levers used), and then using the levers together will be similar to releasing the A&B pedals for the 5 chord.
Don't know how this will work out in the end, but I sure am having fun building it
I'm taking a different approach on the copedant:
The single plam lever will lower the 2 key notes of the chord, giving a major 7th, which I think will be useful on a lap steel.
Instead of a second palm lever, I'm building a knee lever (with a "stop" lever on the opposite knee to keep the steel from sliding) which will have a double-stop... first lowering the 3rd note of the chord 1/2 note, and then going on to a full note lower.
End result will be similar to playing a E9th PSG with pedals A&B depressed (no levers used), and then using the levers together will be similar to releasing the A&B pedals for the 5 chord.
Don't know how this will work out in the end, but I sure am having fun building it
Dave Wren
'96 Carter U12,7X7; 1936 7 string National; Line 6 HX Stomp; Quilter TT-15/TB202; Quilter "Steelaire"; DV Mark "GH 250"with 15" 1501 BW; Boss "Katana" 100 Head w/Line 6 Cab; Telonics VP.
'96 Carter U12,7X7; 1936 7 string National; Line 6 HX Stomp; Quilter TT-15/TB202; Quilter "Steelaire"; DV Mark "GH 250"with 15" 1501 BW; Boss "Katana" 100 Head w/Line 6 Cab; Telonics VP.
- Alan Brookes
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I've been giving some thought as to what sort of body to attach my Multibender to. I was all set to put it on a lap steel, but in retrospect, with the downward pressure that has to be applied, unless you have a firm base the instrument could move. I remember building a hurdy-gurdy but when I turned the wheel the entire instrument rotated unless it was clamped down to a table. If the lap steel had a heavy stand, or you did clamp it to a table, I'm sure there would be no problem.
Those of you who have put a Multibender onto a lap top; do you have problems with the instrument moving in your lap ?
I'm now thinking of putting my Multibender onto a Telecaster with a nut riser.
Those of you who have put a Multibender onto a lap top; do you have problems with the instrument moving in your lap ?
I'm now thinking of putting my Multibender onto a Telecaster with a nut riser.
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Alan, have you watched the videos where Martin Huch is playing a Strat as a lap steel - retrofitted with a raised nut and 3 Multibender arms? It looked like he was doing pretty well keeping the thing stationary. Although, he's had tons of practice as he was involved during the design process, apparently. But it is possible to play it without movement...Alan F. Brookes wrote:I was all set to put it on a lap steel, but in retrospect, with the downward pressure that has to be applied, unless you have a firm base the instrument could move.
Alan: my lap has a ridged rubber strip along the bottom of it, so doesn't move.
Basil: I like the Bennett's sound. I keep the tone control rolled off a fair bit so it's a pretty warm tone.
Why d'you ask? Have you any thoughts on a Bennett's sound or have you not heard one?
Just wondering if you think the sound's flawed in some way on his instruments
Basil: I like the Bennett's sound. I keep the tone control rolled off a fair bit so it's a pretty warm tone.
Why d'you ask? Have you any thoughts on a Bennett's sound or have you not heard one?
Just wondering if you think the sound's flawed in some way on his instruments
- Alan Brookes
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Yes, that's where it occurred to me that the additional weight of the Stratocaster body made the instrument more stable than a lap steel, which is why I'm thinking of putting my Multibender on a Telecaster.Bruce Freisinger wrote:...Alan, have you watched the videos where Martin Huch is playing a Strat as a lap steel - retrofitted with a raised nut and 3 Multibender arms? ...
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- Alan Brookes
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- Location: Brummy living in Southern California
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